Blog Author William Fietzer https://williamfietzer.com/blog/

Posted on March 26, 2024March 29, 2024 by William Fietzer

Escape Rooms: Not for Faint of Heart

Fun and Fantasy of Escape Rooms

Most of us enjoy repeating pleasurable experiences. Whether they involve fishing in a favorite trout stream or reenacting a scene from a memortable movie, people enjoy imagining how they would act if they could single-handely land a giant tarpon or bring the fiendish Professor Moriarity to justice. Escape rooms offer a chance for engaging in such fantasies. At least, that’s what we thought when we signed up for one to celebrate my wife’s birthday. However, we discovered not everyone is comfortable with having the fantasticl come to life.

What Are Escape Rooms?

Before discussing our escape room experience, let’s examine the concept. Escape rooms are one or more rooms in which players engage in “live-action, team-based games [in which they] discover clues, solve puzles, and accomplish taskes.” Most often, the goal is, as the name implies, to escape the game site within a given time frame.

The themes of these games originate from popular culture such as the exploits of Sherlock Holmes or the writings of Edgar Alan Poe. These two luminaries formed two of the offerings in the escape room we contacted. However, because of my wife’s interests in medicinal herbs and J.R.R. Tolkien, we chose to escape from a magic apothecary’s shop, perhaps echoing the tribulations suffered by Charles Dickens‘ heroine Nell Trent in The Old Curiosity Shop.

History of Escape Rooms

Origins

Although escape rooms seem a relatively new concept, the idea of escaping from a room or situation occurred as early as the 1970s. The advent of point-and-click adventure games led to the development of interactive in-game objects. The earliest of these, Planet Mephius, came out in Japan in 1983. Its popularity led to the first interactive trapped-in-a-room scenario with John Wilson’s Behind Closed Doors in 1988.

From Video Game to Physical Reality

These and other virtual reality games prompted Takao Kato to wonder in 2007 “why interesting things didn’t happen in my life, like they do in books.” The result: the Real Escape Game, the first experiential entertaintment game created in 2007. From there, the number of real life escape rooms proliferated throughout Asia and Europe, reaching the United States in 2014. As of 2022, gaming experts estimate escape rooms number over 600 sites in the U.S. alone.

Escape Room Overview

As the name implies, the “rules” are (deceptively) simple. Find clues leading to escaping the room within the allotted time, usually 45-60 minutes. Anywhere from two to ten players participate at any one time, and the challenges are usually more mental than physical. Depending on the theme, different games require different skill sets although expert knowledge in any field is not required. Any information required to solve a puzzle should be provided within the room’s contents.

Since the overall goal of the experience is entertainment, well-designed rooms contain provisions to insure a successful escape. Hints in the form of written notes, audio clues, and video instructions help players along in their pursuit of escape. In our game, the gamemaster provided helpful suggestions through messages that appeared in a “magic mirror.” As our allotted time dwindled, these hints grew more and more direct. Fortunately, we managed to escape and win the game with a little under three minutes to spare.

Escape Room Strategies

Exiting an escape room requires the employment of several basic skills. problem-solving, lateral thinking (thinking outside the box), and teamwork. The group must direct its efforts to solve a sequence of challenges or puzzles to unlock the door and leave the room within the allotted time. Puzzles may include word games, cyphers, riddles, and basic mathematical problems. Physical activity may include searching for physical objects, navigating mazes, or assembling clues.

Escaping our room involved all of these skills and activities. The six adults broke up into pairs. One pair investigated and activated the alchemical and pharmaceutical equipment in the room, another pair assembled and interpreted clues, while a third monitored the time limit and hints provided by the dungeon master. None of this activity was planned or formally agreed upon beforehand; to our our relief and surpose it just happened.

Cautions and Controversies

Adult Impressions

Our reactions seemed to typify those following the adult escape room experience. No one coordinated our activities, but we surmounted the challenges and obstacles within the room and escaped. Despite the lack of direction and low-level anxiety, the adults employed teamwork and crisis management to solve the puzzles.

Reservations

Though the adults said they had fun and enjoyed the experience, some expressed qualms about deriving enjoyment from artificial entrapment. Granted our confinement was voluntary, but what if we had failed? In all likelihood, the gamemaster would have granted us extra time. But what if we were actually trapped? What if the door remained closed, the gamemaster had a stroke, and we remained sealed in the room like Boris Karlov in The Mummy?

Empathy

My August 2022 post on reading to one another seems relevant here. It mentions Neil Postman‘s 1984 prediction from his book Amusing Ourselves to Death. There he discusses how television’s sacrifice of quality information for corporate profit could become boring reality. Moreover, such entertainment desensitizes those who watch it. Similarly, interactive real-life games advances people’s detachment from the emotional information in physical reality one step further. If they derive enjoyment from physical entrapment, does escaping that reality desentitize them from the plights of people trapped in real-world predicaments? How empathetic can we be to the victims of human trafficking or enslavement, for example, when our escape is just minutes or a safeword away ?

One might argue that voluntary participation makes all the difference. Choosing one’s entrapment negates any guilt that might accrie about people stuck in real-life situations not of their choosing. However, the thrill one feels about being trapped in a situation seems cheap knowing one can escape at any time. Just say the safe word, and the catharsis derivied from achieving that objective diminishes as well.

Children’s Response

My grandsons’ reactions to the escape room experience seem instructive at this point. Aged seven and four, both boys went willingly into the apothecary room and explored the phials, bottles, and rudimentary pharmacy equipment within. But when the youngest spotted a small, hissing dragon painted in a corner of the room, he retreated to his mother’s arms for the rest of the hour. The older boy coped by hunching down in an out-of-way corner and played Mario Cart on his cellphone. After our escape, neither boy expressed enjoyment of the experience until the astute gamemaster rewarded with magic wands for their courage and perseverance.

Escape Room Takeaways

Caregiver Options

Critics might say the boys’ uneasiness could have been avoided if the adults had practiced due diligence in choosing the theme. Child-oriented versions of escape rooms do exist. However, the magic apothecary theme seemed least threatening among the choices available at this particular escape room.Other options include disignating one of the adults to stay with the boys, leaving them with a sitter, or having them stay home altogether. But since they too wanted to engage in their grandmother’s birthday celebration, that didn’t seem a viable alternative.

Silver Linings

On the other hand, the boys’ witnessed trusted adults coping as best they could in a mad scramble for clues to free themselves. They could regard this in years to come as a learning experience, enlightening if not enriching. Perhaps if more precautions had been taken, the youngsters’ apprehensions would have diminished. At the same time, it’s also true that their fears were more genuine than the adults’ satisfaction in achieving their make-believe goal. Given the proliferation of these establishments throughout the United States, caring parents and grandparents should review these establishments beforehand and ask questions. Some horror-themed escape rooms, for example, employ escaping from physical restraints like handcuffs or zip ties, so be careful. Make certain to keep the mental and emotional demands of the escape room experience age-appropriate. That applies to kids and adults alike.

Empathy

Regarding the desensitization aspect, how many kidnap victims seek to relive their experiences watching movies like Saw? Time and distance may lessen the psychological impact of what they felt, but reliving the experience, even in make-believe, dulls the emotional sensitivities of those who play such games and disrespects the legacies of those who endured, suffered, or died in real-life bondage.

What do you think? Write your thoughts and reactions in the LEave-A-Reply box below.

Posted on February 14, 2024February 27, 2024 by William Fietzer — 1 Comment

Geek Out with Filk Music

Discovering the Soundtrack of Fandom

One of the most enjoyable aspects of attending a professional convention is discovering a new fact, idea, or way of thinking. Waiting to do an author reading at the Boskone 61 convention (where I’d power-performed twice already as a panelist), I decided to attend the {Song Circle) Celestial Bodies concert. After all, I reasoned, wouldn’t hearing some classical music, say Gustav Holst‘s The Planets, ease my performance anxieties?

Little did I suspect that this decision would provide my first encounter with a different form of geekdom–filk music. Everyone knows (or thinks they do) what a geek is–an expert or enthusiast obsessed with a hobby or intellectual pursuit. However, how many know what a filk enthusiast is? I was about to find out.

History and Etymology of Filk Music

Part of my surprise about filk music stemmed from the uncertainty of what it is. The primary definition for Filk comes from aeroscientist Jordan Kare’s article in Sing Out magazine where he quotes musician Nick Smith of the Los Angeles Filkharmonics describing filk as “a mixture of song parodies and original music, humorous and serious, about subjects like science fiction, fantasy, computers, cats, politics, [etc.}” with the conclusion “almost anything goes at a Filksing.”

On the other hand, critics such as Jeff Suwak in Rawckus magazine credit filk as being more than a muscial genre but as a bona fide subculture. Like a band of ragtag heroes in a fantasy novel, Filkers challenge the suppression of the human creaative impulse. They may dress up as wookies and pirates to sing about their favorite sci-fi and fantasy films, but “Breaking the restraints of the imagination and embracing one’s true self, no matter how silly or socially-questionable that self may be, is the whole point.”

Given this lack of precision, it’s unsurprising that the term originated as a misprint in Lee Jacobs‘ essay “”The Influence of Science Fiction on Modern American Filk Music.” Cited repeatedly for amusement by the editor of the Amateur Press Society, the term became associated with the genre while still an informal occurrence at sci-fi and fantasy conventions. Only when writer Karen Anderson used it to describe a song written by her husband, sci-fi novelist Poul Anderson, did the term become formally recognized.

Filk Music--Mr. Spock — Leonard Nimoy–an honorary filker

Filk Music Structure and Types

From those humble beginnings, filk music evolved into the more formal and systematic performances I witnessed at the Boskone convention on Sunday. Rather than impromptu sessions on hotel stairwells or out-of-the way nooks, filk music now serves as a designated feature in conention schedules. Its musicians play a variety of insturments, the acoustic guitar and keyboard predominating, and they perform in filk circles. Though loosely organized, this arrangement permits egalitarian access with each performer politely awaiting his or her turn to perform.

The most common types of performance are these three: Bardic, Chaos, and Token Bardic. Bardic structure permits each participant to perform in turn around the circle. Chaos provides no sequential structure; performers shout out to play after the previous perfromer has finished. Token Bardic combines the previous two by doling out poker chips to the performers which they can toss into the center of the circle to claim the next turn.

Regardless of structure, filk music emphasizes respect for all music and all performers, whatever their expertise or proficiency. Everyone can participate; tips and suggestions are the only criticism.

Cultural Impact of Filk Music

Over the years, filk has matured from ad hoc performances played and enjoyed by sci-fi fans to a distinctive genre with its own jargon (filkspeak, a subcategory of fanspeak) and subgenres. Some examples are hymnal speak (group singing from a hymnal), filkhogs (performers who sing more than their fair share of songs), and found filk (songs not written as filk but show a folkish love of incongruities). Filkers even have an award for the best example of their music–the Pegasus Award–given annually at the Ohio Valley Filk Fest.

Despite all the above, filk’s sense of ingenuousness and gentle satire remains. Amy Kucharik, the moderator of the song circle I attended, stated during our Messenger dialog that she remained “uncertain whether my music qualifies as ‘filk’ per se (vs music with nerdy concepts and pop culture references) but it was so much fun to be at Boskone.” Performers and listeners still do it for the enjoyment of the music and the rebelliousness of their self-expression. As ethnomusicologist Sally Childs-Helton puts it, “We have taken our right to be creative and to literally ‘play’ in the best sense of that word.” Given the recent political and sociological excesses attributed to overzealous fans, aren’t the orderly and egalitarian actions of devoted musical geeks something to celebrate?

What do you think? Write a comment in the Leave a Reply box beowl.

Posted on January 6, 2024February 24, 2024 by William Fietzer

Memorable Days Not Honored as Holidays

Introduction

Some days are so significant they are remembered despite the fact they are not celebrated nationally, unlike Christmas or the Fourth of July. Nor are such days designated to provide secular alternatives to holidays most people celebrate such as Festivus. The days in question are those where people recall exactly what we were doing on the date the days occurred. Based on the discussion on my Facebook feed, January 6th, 2021, the date of the insurrection against the peaceful transfer of power in the federal government, constitutes one of those memorable days.

Yet, however significant the events that occurred on that particular day may be, today’s discussion focuses on what you were doing or feeling when you heard or saw the event. How did learning the news make you feel? Angry? Elated? Disheartened? All three?

All of those emotions surged through me on January 6th. And they still do three years later. But it wasn’t the first time I felt those emotions. Reflecting back on my experiences, there have been a number of times events beyond my control made me remember exactly where I was, what I was doing, and how I felt on those fateful days.

The List

December 6, 1941

Well before my birthday, but this is the date that launched the paradigm. Everyone alive then says they know exactly where they were when they heard the Japanese military had bombed Pearl Harbor. The date is not celebrated formally, but everyone recognizes it as the original Day of Infamy.

August 6, 1945

This date marks the dropping of the first atomic bomb on the city of Hiroshima, Japan. A second bomb destroyed Nagasaki three days later, and the Japanese government surrendered several weeks after that. Neither bombing marks the official end of World War II, but their consequent impact on world events never has been more significant.

February 3, 1945

The Day the Music Died according to singer Don McLean had significant impact for a generation including many of my older friends. For me this time marked the verge of my teenage years which included listening to rock and roll on the radio. Iowa is close to my home state of Wisconsin, and I remember how cold and snowy it was that night as it was during most winters back then. The-conditions were so terrible that Buddy Holly, the Big Bopper, and Ritchie Valens should never have climbed into that small aircraft which they plummeted them to their deaths.

November 22, 1963

The news of Kennedy’s assassination dumbfounded me. How was it possible? Who did it? A million more questions popped into my head when the news of the shooting came over the school loudspeakers. Neither the frog I was dissecting in my introductory biology class nor not much else got done the rest of that day. Our last classes ended a few minutes early–small consolation for dealing with such an earth-shattering news.

November 15, 1969

the largest anti-war protest march in our nation’s history occurred on this date. Over a half-million protesters filled the Wasington Mall to demand an end to the Vietnam War. I and three of my college dormitory friends took turns driving across the country to participate in the march and its ceremonies. Proud, exultant, and inspired as all of us felt then, it still seems impossible that it could take six more years before the war ended and I’d get drafted in the process.

August 9, 1974

Not only was this the day President Richard Nixon resigned from office, but it also marks the day of our wedding anniversary. Living in Boston at the time, it was tempting to think all the cheering everywhere was for our nuptials. In truth, however, it expressed how grateful the people of the only state who voted for Nixon’s opponent, George McGovern, were for Nixon leaving office.

September 11, 2001

The collapse of the World Trade Center is not a day most New Yorkers are likely to forget. At the time, my wife and I lived in Minneapolis and I had surgery the previous day to repair a torn cruciate cartilege in my left knee. Confinement to the davenport forced me to witness the nightmarish repetition of the two planes crashing into the buildings and their horrifying collapse.

Conclusion

The above entries identify some of the events that changed my life during the past seventy years. You may quibble over the stature of some of the entries or point out others that I have omitted. You may even wonder as I did about the twenty-year gap between the last entry and January 6, 2021. It’s not that few significant events occurred during that time; rather, many of those peak events like the Wall Street collapse or the Crimean invasion served as precursors to the insurrection three years ago. Consequently, many of us feel an ongoing anguish in its aftermath and for our prospects in the days ahead. But what I’ve learned over that time tells me that such feelings never last. And if that assessment is not significant or memorable, little else is.

What do you think? Click on the Leave a Comment link above to leave your reply.

Posted on December 10, 2023February 24, 2024 by William Fietzer

Unusual Secular Celebrations to Beat Holiday Blues

Introduction

The holiday season can be stressful, and holiday blues are not imaginary. While the connection between holilday celebrations and suicide rate increases has been debunked as myth, a survey by the American Psychological Association found that “38% of people felt their stress levels increased during the holiday season.” Seasonal Affective Disorder (SAD) is a form of clinical depression known to increase during the winter months in the Northern hemisphere due to changes in the duration of sunlight. These changes affect our body rhythms, neurochemical balance, and mental outlook when darkness lasts longer and cold weather keeps us cooped up indoors.

Many factors contribute to our mental outlook during the holidays, isolation being one of them. Another can be the perceived discrepancy between the joy celebrating the holidays is supposed to bring and the reality of our personal and political lives. If the joy and peace on earth celebrating a deity’s alleged date of birth seem lacking, where does one turn to receive such comfort during the long, dreary, lonely days of winter? Other orgranized religious holidays such as Kwanasaa and Hanukkah are peculiar to the ethnic groups in which they originated. And, similar to the pagan holidays of Saturnalia and St. Lucy’s Day, they serve as calendrial placeholders in substiituting winter solstice celebrations for the Christmas holiday.

Atheists, agnostics, and undecideds should have some means of expressing and expunging their hopes and fears during the holidays. To meet that need, let’s go beyond the evolution of Father Christmas by identifying three unusual secular celebrations to beat those holiday blues:

Burning the Clocks

An “antidote to the commercializaation of Christmas,” the Burning of Clocks event parades willow-made clocks and lanterns through the streets of Brighton England down to the beach. Upon their arrival, a raging bonfire consumes them to the accompaniment of fireworks. Regarded as an investment of the participants’ “wishes, hopes and fears,” the festive burning of these symbols signals the passage of time and spiritual rejuvenation for the upcoming year.

Festivus

Arising from an episode of the Seinfeld TV sitcom, Festivus has grown into a secular holiday observed all across the nation. Celebrated on December 23rd as an “alternative to the pressures and commercialism of the Christmas season,” it spoofs traditional ceremonies with its bare aluminum pole stuck in a living room corner, wrestling competitions among household members and guests, a joyous feast, and “an airing of grievances” about disappointments suffered throughout the year. Building on its initial popularity, notables such as former Wisconsin governor Jim Doyle have helped promote its rituals and pageantry to such an extent that it has been recommended to become a formally-recognized national holiday.

HumanLight

HumanLight is a humanist holiday also celebrated on the 23rd of December. The New Jersey Humanist Network founded the day in 2001 to commemorate the holiday season without encroaching upon other religious and secular events occuring during the same timeframe. Its goal is to promote “positive, secular human values of reason, compassion, humanity and hope” Aside from the injunction not to use the event to criticise religion, celebrations can be as individual as its sponsors choose to make them.

Summation

More such secular celebrations of the December holidays exist. In fact, Midwinter Day destroys the confines of time and space by celebrating the Heroic Age of Antarctic Exploration during the continent’s southern winter solstice in July. But going to such extremes isn’t necessary. The examples above show that the spirit of winter solstice celebrations is not confined to religious spectacles alone. Atheists and agnostics need not feel isolated and depressed. They, too, can celebrate the holiday season in a way appropriate to their belief systems. And isn’t the human spirit that motivates all these festivals, secular and spiritual alike, the value most worth celebrating and sharing?

If you care to add to this list or feel differently about such events, tell us by clicking on the Leave a Comment link above to leave your reply.

Posted on November 10, 2023November 13, 2023 by William Fietzer

Why Shamans Are Important

You may not know it, but shamans are important to you. In fact, you encounter them every day without realizing it. Given the ascendancy of doctors and scientific practice in Western medicine, shamans and their therapies are dusmissed and/or ridiculed as so much pseudoscience like witches, faith healers, and the evil eye.

So, why pay any attention to them? What do they have to offer? What makes them so important? Before delving into that, it helps to know what they are.

Definitions

Shamans from different cultures — Examples of different types of shamans

There are as many definitions of shamans and shamanism as there are indigenoous pagan religions in the world. Each has its own set of spiritual beliefs and practices that arise from them. Some form the basis of their community’s form of medical treatment; others constitute the basis of their religious practices, and some comprise a set of practices for leading a full and healthy life. A few even allow their practitioners to enter other people’s minds or the astral plane to communicate with their ancestors. Even the word “shaman” comes from the Russion word “saman” which derives from the Tangusic language of Eastern Siberia and has been applied by Western anthropologists as something of a catchall term for such practitioners.

To encompass the range of these differing philosopies is next to impossible. But for purposes of this blog piece, let’s borrow the relatively straightforward definition in the glossary of the second edition of my novel, Mission: Soul Rescue. It states there that a shaman is “a religious practitioner capable of entering the spirit world through altered states of consciousness to direct psychic energies into the physical world for healing, divination, or helping humans in some way.”

Examples of Why Shamans Are Important

Mr. Natural–pop culture example of why shamans are important

Pretty heavy stuff, eh? But, as mentioned above, not as strange or exotic as you might think. One example: the practice of pharmacy evolved out of the practices of apothecaries and druggists during the late middle ages. Pharmacy shops began to appear in Europe as early as the twelfth century. At that time herbalists concocted the nostrums and remedies that cured the sick and healed the injured. Much of their lore reappears today distilled in the essences and formulas of our modern drugs and treatments. Atropine from atropa belladonna (deadly nightshade) is a prime example.

More to the point–examples of shamans pervade our culture through our books, TV, and our movies. If you’ve read the exploits of Marvel Comics First Flight (Shaman) or played the role of Nightwolf in Mortal Combat’s fighting game franchise, you’ve encountered a shaman. Rafiki (The Lion King) and Venus (Teenage Mutant Ninja Turtles) are two more examples of shamans in popular culture.

Farther afield but within the realm of shamans-as–spiritual-mediums are the 1960s countercultural favorite, Mr. Natural and the 21st century’s Elsa from the movie Frozen. Even orthodox relgion has its share of fictional shamans. Father Joseph Dyer (Exorcist III) and DC Comics’ John Constantine come immediately to mind. Not all of these examples embody shamanism in the strictest sense defined above, but they indicate the depth to which shamanism pervades our cultural landscape.

What It Means

Example of neuroscientist investigatiing consciousness

“So What?” some of you might be thinking. All of the above examples are fictional fantasies; they have no counterparts in ordinary reality. Or do they? Elon Musk and the people at Meta Platforms are working feverishly to create what CEO Mark Ruckerberg calls the first metaverse to “help people connect, find communities, and grow businesses.” A number of scientists including notables such as Heather Berlin are exploring the neural basis of consciousness, dynamic unconscious processes, and creativity. Science educator Isaac Arthur‘s YouTube videos focus on futurism, artificial intelligence, transhumanism and other related topics.

Now that the social stigma is gone, researchers are exploring the mental health benefits of mind-altering drugs such as Lysergic acid dimethylamide (LSD) and dimethyltryptamine (DMT), a compound commonly used by Shuar, curandero, and other shamans of Central and South America. in their spiritual rites and medical practices.

The accumulating evidence suggests that the divide between the explorations of material science and the spiritual journeyings of contemporary shamans is narrower than ever before. It took scientists over a half century to create the “magic” that imbued Spock’s tricoder and today’s smart phone. In similar fashion, today’s digital engineers are creating entryways that blend the material reality of the body with the unconscious reality of the mind into one cohesive fabric. With their history of venturing into the spiritual realm of the unconscious, shamans have a major role to play in shaping that integration for everyone’s benefit.

What do you think?

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Posted on October 6, 2023November 13, 2023 by William Fietzer

Fast Writing: Ten Step Process

One panel on which I’m participating at the Multiverse Convention in Atlanta (Oct. 20-22)is titled Fast Writing. Though uncertain what the panel topic originators mean by this term (maybe the panelists will define it), here is my ten-step process for overcoming the greatest fear of most writers–the tyranny of the blank page.

Outline before you begin

Fast Writing: Outline — Outline Before Starting to Write

Whether writing a novel, creating a procedure to accomplish a task, or responding to a question on a blue-book written exam final, preparing even a simple outline takes only a few minutes. Organizing your thoughts this way keeps you on task and enables you to meet your deadlines, whether 30 minutes or six months.

Decide whether you are an organic or architectural writer

Particularly in writing fiction, understanding your creative style can save time and effort. Architectural writers, such as many mystery writers, work from detailed outlines They need to know the plot points to place the clues for their readers. Organic writers take a more fluid approach. They start with a basic concept or conflict and build their stories from there. Discovering which type of writing style suits you best takes time and practice, but results in less time and dissatisfaction overall.

Don’t Fret Over Deadlines

Fast Writing: Deadlines — Deadlines Can Be Our Friends

Consider them your friends instead. Without meeting deadlines, most projects never would get done and stories would never get written. There’s always one more fact to research or another way to write a scene. It’s called procrastination.

The secret to keeping the deadline monkey off your back is having a plan. Break the interval between when you receive the assignment (now) and the time the assignment comes due (future). Once you know how much time you have, you can break it into its component parts. For example–to write a 60,000 word novel, give yourself six months timeframe. That means writing ten thousand words a month spread over thirty days, or prodlucing three hundred thirty words a day. That’s roughly one and a third pages assuming you’re writing a standard double-spaced mss. using 12-point arial or Times Roman font face. Taking off weekends, (more on that below) would leave approximately twenty workdays per month, which stretches daily production to 500 words per day., roughly two type-written pages–a very achievable goal–IF you stick to it.

Write Freely.

This injunction is the one I violate most frequently. And one I expect the panel will address. In other words, don’t pause to correct spelling and grammar errors while writing. Allow the prose to flow out of your fingers onto your word-processing keys as you compose. Even in this simple sentence I violated this rule twice to correct for spelling and word usage. On the other hand, exchanging word-processing for handwriting is more applicable to today’s writers. Corrections made at the moment words are placed on a page helps set up the verbiage and verbiage to follow (Remember organic vs. architectural writing).

Stop mid-scene.

The next several steps apply more to fiction rather than non-fiction writing, but they’re applicable in the second instance, too. In this instance, mid-scene means concluding your narrative at a point where the action has built in intensity and you’ve reached your word and emotional quotas for the day. Ernest Hemingway advised this point in the story was a good place to quit and resume the action the following day. In my experience, few things in writing are more difficult than restoring interest in the next scene after you’ve reached an emotional climax in the one preceding it.

To remedy the mid-story tyranny of the blank page, i.e. a new chapter, end your day’s writing in mid-climax. Or, if you’ve reached a determining plot point, end the scene with a question or problem your protagonist needs to resolve in the next scene or chapter. If all else fails, take Raymond Chandler‘s advice and have the villain come through the door with guns blazing. That keeps the reader turning pages and forces you, the writer, to figure out what happens next (See Step one–the need for a good outline).

Revise What You Wrote the Previous Day

The guidebooks say most writingis rewriting. Revising the day after gets you staDrted on that process to a polished final manuscrpt. It also helps get you into the emotional flow of what you plan to write today. Think of the following day’s revision as a mental warmup for the current day’s writing.

Take Breaks Every So Often.

The ergonomic specialists at HealthCentral.com recommend standing up and getting away from the desk every 30-60 minutes. Taking a break refreshes the mind and relieves body stress as well as renews your energy to continue writing. The creative meenergy of your prose flows from the critical and emotional energies of your mind, so recharge by taking a break on a regular basis.

Meet Your Quotas

Though this seems to contradict the previous step, it reinforces the point expressed in Step 2. Take breaks, but organize your time. If you adhere to the writing schedule outlined in Step 3 on a daily basis, you’ll meet your weekly, monthly, and overall objectives based on the timeframe you set.

Allow Ideas to Percolate

Fast Writing: Subconsious — Let Ideas Percolate

Perhaps you do end a scene on an emotional downturn and don’t know how to continue. Or you don’t know how to get your protagonist out of a complicated or dangerous situation. Take a break, take a shower, go for a walk, do anything that takes your focus off the problem that vexes you. It’s not for nothing life advisors recommend you sleep on an idea before making a decision. Allow your subconscious to work on the problem while you devote your time and attention to other issues. You’d be surprised how many problems can be solved this way.

Live!

Enjoy life as much as possible. To fuel your writing, your creative self must have raw material from which to draw. This, to me, seems the underlying injunction to much method acting. In order to embody the emotion, they must experience it first. And that means living. It holds true for writers as well. Beginning writers often are advised to write what they know. Thinking they don’t have sufficient life experiences, they make something up. But their narratives ring hollow because they haven’t experienced the emotion or situation themselves.

Of course, taken to extreme, this means crime writers need to commit the crimes about which they write. But, rather than commit some illegal or immoral act, they can research or interview those people who have experienced or committed such acts. Those instances aside, a writer can share those experiences all of us feel: love, friendship, betrayal, hatred–the list goes on. The importaint point is that in order to make your writing genuine, you need to experience those emotions yourself. And that takes time. And organization. Something, hopefully, this list has imparted.

The Upshot

All ten of these steps are recommendations. Like my advice in “Five Steps for Power Panelists,” they are most honored in the breech more often than not. But adhering to them most of the time should result in the outcome(s) you desire–a completed first draft ready for substantive revisions should they be necessary.

Which of these steps do y ou employ? Do you have other fast writing you employ that help meet your goals? Tell us in the Leave A Reply section.

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Posted on September 10, 2023September 11, 2023 by William Fietzer

Five Tips for Power Panelists

One fantasy convention down and another to go (Multiverse in Atlanta, Oct. 20-22)! As another part of an informal series on authorship and writing hacks, here are five tips for power panelists that make panels work for them and their audiences.

1. Be Prepared

Five Tips for Power Panelists This one seems obvious, but involves more than mere familiarity with the subject. Too often, fantasy writers view a topic through their individual lens. That can be illustrative, but such a narrow focus may not apply to all varieties of fantasy or science fiction. Power panelists realize the differences between writing low or high fantasy, for example, or young adult and middle-grade, are quite distinctive and engender differing perspectives on the nature and focus of writing fiction for their audiences.

How to address this? Acquire some familiarity with the work of your fellow panel members breeds respect and cooperation in your discussions. Cultivate some knowledge of your fellow panelists’ perspectives by checking out their website or emailing them for their opinions before the event.

BTW, being on time and staying on topic helps, too!

2. Consider Your Audience

Five Tips for Power Panelists This tip elaborates on what appears above. Just as writers slant their stories to the values, interests, and expectations of their readerships, power panelists direct their responses toward the topic at hand with their audience in mind. Does it consist primarily of writers or academics? Or is it composed primarily of readers and fantasy fans?

In most instances, it combines both. Therefore, power panelists keep their participation in the discussion on a level available to everyone. Don’t delve into fantasy trivia or writing esoterica unless the audience indicates they wish to pursue the topic more deeply. Most importantly, power panelists aren’t condescending to them or their fellow panelists.

3. Encourage Audience Participation

Five Tips for Power Panelists For some panel members, this tip may contradict the concept of a panel discussion, i.e. a discussion among the members of a panel. Regardless of that, some of the best discussions I’ve witnessed resulted from questions or observations contributed by the audience. If a topic is provocative enough in itself, or if the panel discussion of it is sufficiently free-flowing and involving, such discussion conduces a dialog between the panel and its listeners. Not only does such involvement measure a power panelist and a panel’s success as entertainers, it liberates creative ideas panel members may never have considered.

4. Set Limits to the Discussion

Five Tips for Power Panelists This point may be in the convention guidelines, but it bears repeating. Power panelists respect the ideas and beliefs of all participants, panelists and audience members alike. To facilitate that respect, the moderator should lay out the ground rules before the start of discussion. Most often, that means reigning in those individuals whose enthusiasm for a particular topic overwhelms their inhibitions and consideration for others.

One method to establish control: agree upon an absurb or nonthreatening safe word like “sandwich” at the beginning of the discussion. tactfully subdues an overzealous panelist or audience member who overextends his or her say on the topic under discussion.

5. Keep Things Short and Simple

This last tip harkens back to the first. Kristen Arnold of “Panelist Do’s and Don’ts” recommends introducing yourself in two or three sentences. She advises to “Be ready to support your points with concrete examples and crisp, concise stories that humanize your message and drive it home.” Easier said than done, but striving for brevity this way enables power panelists to set the conversational tone and identifies themas someone whose contributions are worth a listen or writing them down!

Summing It Up

Serving on a panel or being a moderator can be a tricky thing. Power panelists know having a discussion with people they meet just before taking their seat at the podium can be nerve-wracking. Such unfamiliarity makes having a natural and free-flowing discussion difficult, much less informative or entertaining. However, following these five tips should make involvement in such discussions an enjoyable and rewarding experience.

What are some power tips you employ when you are a panel member? Have you witnessed or participated in some panels where these tips failed or backfired? Tell us in the Comments section below.

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Posted on August 11, 2023August 15, 2023 by William Fietzer

Rule of Seven Hack for Authors

Rule of Seven in Marketing — Rule of Seven Hack for Authors to Reach Target Market

One of the new concepts discussed at the 2023 Imaginarium Convention this past July was how the Rule of Seven affects promoting author fiction. Originally coined by American movie moguls in the 1930s, the concept states that potential customers, i.e. theater-goers, must see or hear about a film at least seven times before commiting to watch it. While this rule-of-thumb may have worked back then, does it still hold true for marketing in the digital age? If so, how does it work for authors?

Then And Now

Drawing public attention to a new Ruitem or service was more difficult in the 1930s. Fewer advertising outlets existed, and promotional techniques were less sophisticated. Radio, newspapers, and magazines acted as the prime purveyors of information and promotion. Consequently, movie studios flooded the few media outlets available with theatrical movie previews and stories about the stars in those movies in magazines such as Star and the Hollywood Reporter. Such activities still go on today with promotional budgets far beyond the cost of creating 1930s films devoted to alerting and (for the most expensive films) deluging the movie-going public with information about the latest cinematic releases.

Paradigm Shift — Rule of Seven Hack for Authors

However, today’s fiction-readers receive information about new and favorite writers from a firehose of media outlets. Advertising and promotions inundate them to such an extent that repeated exposures to the same message or brand may have a counter-productive effect. Research from the University of Sussex suggests that “being presented with the same message over and again could actually do more damage than good.” In short, people tune out.

An Antidote

Rule of Seven Remedy — Remedy–Rule of Seven Hack for Authors

Rather than continue to hammer the promotional message to an increasingly resistant buying public, the answer may lie in less repetition and more diversity. Results from that same study indicate repeating a strong promotional message may be counter-productive. As a result, the target audience becomes saturated with the message and “they gravitate toward novelty.”

But not just to anything new or different. People enjoy a blend of the new with the familiar. Repeated exposure to the new product or service remains key so long as it is interlaced with more customary concepts and ideas. As the researchers concluded, “What appears to be key is variety.”

Importance of Branding

Of course, The Walt Disney Company (Disney) has millions of dollars to flood the media with their variety of products. Most authors, including myself, have little or none. Yet authors can take a page out of the Disney playbook and hone it to scale. Disney’s theme parks and merchandise still serve to promote its movies and cartoons, the bedrock of Disney’s various enterprises.

Branding as Applied to Rule of Seven Hack for Authors

Authors and writers can do the same. They may not have the resources or exposure of the Disney Corporation, but even its founder started out with pen and paper and an idea from which he sought to tell stories. Fiction writers have their own ideas and imagination to draw upon. And unlike the writers and artists for Disney, they can intersperse the promotions for their books and stories with narratives of their own unique experiences–promotional branding in written form. In fact, such product promotions may be stronger on an individual level because they can take a more personal and familiar approach.

What It All Means

Promoting one’s fictional works in the information age needn’t be as daunting as it first appears. The Rule of Seven still applies. Yet applying that rule must ssume a different form. Due to the multitude of advertising outlets and competitors, authors, particularly fiction writers, must know their brand and the audience(s) to which their brand appeals. More important than appearing on a dozen social media platforms like Facebook or Tik-Tok, they must develop their brand. Why? Because their books are projections of who and what they are as artists. And knowing that, hacking deep inside themselves, they can project their ideas through personal interactions with readerships (and buyers) receptive to who they are and what they have to sell.

What do you think? Let us know in the Leave a Reply section below.

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Posted on July 6, 2023July 6, 2023 by William Fietzer

Is Russia Trolling Walt Disney?

First Inkling

Indiana Jones 5 Like other film goers of the Boomer generation, I cut my movie-going teeth on adventure films like the Star Wars trilogy and (especially) Indiana Jones. Though they basically contain B-movie plots given A-list treatments, their over-the-top audacity and sheer enthusiasm made up for any shortcomings in probability or plot construction.

When Disney announced the premiere of Indiana Jones and the Dial of Destiny (IJ5), I welcomed the fan reviews despite rumors of rewrites, production delays, and on-set ego conflicts. After all, what business endeavor, particularly an artistic ones, doesn’t have its share of creative differences?

However, the overwhelming negativity of many reviews, particularly those appearing on YouTube, surprised me. Titles like “How Could Indy Flop This Badly?” and “Indiana Jones Is a Total Disaster for Disney” hyperbolized the film’s failure while providing little basis for their declarations. Many reviewers’ analyses seemed totally specious. Some ascribed the movie’s failure to Phoebe Waller-Bridge‘s inadequate performance. Others blamed Harrison Ford as being too old for playing the role. A few perceived deeper, managerial forces at work which forced director James Mangold to reshoot scenes and alternative endings for various audiences.

Due Diligence

Due Diligence None of these criticisms made a lot of sense to me. If the film was this bad, mainstream media critics would roast it as well. However, most assessments tended to resemble the one provided by Inverse‘s Alex Welch which concluded the film “offers a surprisingly nuanced take on the power and utility of nostalgia.”

Reserving our judgments on that evaluation alone, my wife and I attended a Monday matinee performance and were enthralled the entire 142 minutes of run time. We left the theater shaking our heads. What gives?

Common Assessment

At first glance, It appears many of the film’s most negative critics have their own political and social axes to grind. Some, like Midnight’s Edge, berate Disney films in general for imposing a “forced diversity” component upon the audience. Others, like Ryan Kinel, creator of RK Outpost, go further, blasting Disney films for promoting what they consider “sjw (social justice warrior)/woke content.”

All of this type of negativity John Mangold and Quora commentator, Chris Walters, dismiss as part of a growing yet grudging fandom menace. Walters encapsulates the group’s feelings this way, “many who are unhappy with anything after the original three [Star Wars] movies, they don’t like Lucas tinkering with the original three movies. They don’t like the three prequel movies, although some of the dialog and Jar Jar Binks are terrible. And they definitely don’t like the three movies that Disney released to finish the Skywalker saga.”

Could It Be Something Else?

Russian Troll Farms But is this “fandom menace” comfined to Disney alone? Or is it more widespread and insidious? Finding reliable sources disscussing this topic is difficult. However, in one critical response toward The Last Jedi, researcher Morten Bay declared the backlash to that film should be regarded with more than a grain of salt. His study, “Weaponizing the Haters,” discovered 50.9 % of the negative reviews were “politically motivated or not even human.” In actuality, these fan base disagreements are “deliberate, organized political influence measures in disguise.” Their purpose–“increasing media coverage of the fandom conflict, thereby adding to and further propagating a narrative of widespread discord and dysfunction in American society.”

Unfortunately, Morten is not so precise as to identify or give the number of Russian websites involved in such trolling activities. He also dismisses the total involvement by these trolls to no more than 21 per cent of the total online discussion. Still, provoking such dust-ups and amplifying discord through local and national media offers a tremendous return on sowing doubt and cultural uncertainty.

Conclusion

Given the rate of return, trolling a cultural icon like Disney by criticizing the movies they produce seems like a soft power weapon whose use is difficult to resist. As Vitaly Bespalov, a former operative for the St. Petersburg troll farm says, “Putin doesn’t see any conflict in such operations. He sees trolling of any kind as ‘an equivalent step to the so-called ‘negative actions’ that the West is doing against Russia.” Regarding the West’s reaction, he concludes “I think they are not used to these black games. They are more naive.”

What do you think? Let us know in the Leave a Reply section below.

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Posted on June 8, 2023June 11, 2023 by William Fietzer

AI Threatens Publishers & Writers

AI in Book Publishing Artificial Intelligence (AI) already affects writers and the publishing industry. However, the recent release of ChatGPT threatens authors’ livelihoods on a whole new level. In a Publisher’s Weekly opinion piece, electronics publisher Thad McElroy calls the recent innovations in AI a “game changer.” He believes “every function in trade book publishing today can be automated with the help of generative AI.” And if this assertion is true, “the trade book publishing industry as we know it will soon be obsolete. We will need to move on.”

Death knells for the publishing industry have sounded before. Remember word processors, automated printing, and “Print Is Dead”? McElroy does, and other writer/publishers seem to agree with him. For example, Dave Chesson at Kindlepreneur gmailed that the cost for Amazon’s print-on-demand service is schedeuled to increase on June 20th. This decision affects writers and publishers alike. If the industry’s need to move on is real, the question becomes “To What?”

Alternatives

To thwart the apocalypse before it happens, McElroy offers a nuanced analysis of the problem with a pragmatic solution. Since AI promises to take over all the production aspects of publishing, it’s best for everyone involved to accept that fact and discover the opportunities ChatGPT and its kindred programs provide. In terms of the book-production process, for example, McElroy equates the current situation to 1988 when publishers linked the MacIntosh computer to the Linotype printer. Dramatic increases in output resulted in exchange for increased editorial errors and mediocre page design. But readers accepted this “good enough” product quality in exchange for easier access and wider availability of resources.

Acceptable Quid Pro Quo?

Whether this exchange was equitable remains debatable. For his part, McElroy Definition of Quid Pro Quo itemizes the opportunities AI offers in terms of acquisitiion, production, and marketing. In his view, AI could depose Amazon, the over-charging, 800-pound gorilla in the publishing industry. While independent publishers like him might welcome the overthrow of their competition, individual entrepreneurs, writers, and artists could find themselves shoved further down down the publicity and marketing chain. McElroy’s analysis is astute, but relies heavily on his approach of book publishing being an information-dispensing industry.

Making a Choice

For authors, particularly fiction writers, the question boils down to what inspired them to become writers in the first place? Was their decision based on the promise of fame and fortune? Or because they needed to express themselves, to write something no one had ever said or thought before? Was their choice inspired by images carefully crafted on the page or by graphs and equations neatly presented on an I-pad?

George Bernard Shaw in 1911 As individuals, people respond to differIent stimuli differently. George Bernard Shaw once claimed “It is the mark of the truly intelligent person to be moved by statistics.” Most of us, however, are not so swayed nor sympathetic to their impact. To impel action, people need the emotional stimulus that well-honed words on the page provide. Most of us, writers and readers included, remember a favorite book or story that stimulated our imaginations, one that prompted us to write something as good, as beautiful, as true.

A Personal Note

For me, that story was Walter Farley‘s The Black Stallion. In its honor I created a cover binder for my proposed work, Black Phantom. The binder remained empty for years, however, because I had no access to horses of any kind. Finally, when the chance to ride one did happen, I clung to the saddle horn for all I was worth while the horse galloped back to its stall for a fresh bucket of oats. However, the action, the adventure, the thrill of that incident stayed with me. Like Farley’s narrative of a boy’s enduring love for his horse, these qualities inspired the path I’ve chosen these many decades later.

This is not to say others of a more analytical bent cannot be inspired by facts and figures derived out of the multiverse of mental calculations. One of my favorite scientific authors, Carl Sagan, was at home in the professional realms of astrophysics and education. His respect for science and logical thinking came through in every book he wrote. But, his passion did, too. In his most popular book, Cosmos, Sagan’s awe for the universe and its mysteries flies off every page, stimulating and resonating his audience with its own.

The Decision

Pros & Cons of a Decision For these individuals and the people inspired by them, “good enough” is not acceptable. Publishing information remains limited to the quality and accuracy of its sources. The 1960s adage, “Garbage In, Garbage Out” (GIGO), still holds true. Currently, Chatbot writing, no matter how proficient or well-supported, cannot be as affective as human writing because it has no soul, no sense of self to be inspired by directed words on a page. To be certain, it can define the word “metaphor” and provide examples of one, but it can’t deliver one that moves human readers because it has no feelings of its own to be moved.

The reading public already drowns at the firehose of information provided by the predecessors of artificial intelligence. Do they wish to be inundated by the information tsunami that ChatGPT threatens to unleash? Probably not. Yet, the answers to such questions remain to be answered. As participants in the publishing world, everyone must decide which choice will insure our survival. As with so many other issues in this uncertain world, make your best informed decision, then wait and see.

What do you think? Put your response in the Leave a Reply section below.

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Posted on May 6, 2023May 8, 2023 by William Fietzer

Does Being A Melungeon Matter?

Melungeon family Melungeon–a particular yet ominous-sounding word which happens to rhyme with dungeon in English. Sometimes spelled malungeon or melongeon, the term has several meanings. The broadest of these, according to Merriam-Webster, is “one of a group of people of uncertain ancestry in the southern Appalachians, especially of eastern Tennessee.” They are said to have particular identifying physical characteristics and possess certain magical powers. Many people want to be melungeons; others fear the identification. And certain celebrities are accused of it. What is the truth? Why does it matter?

Origins

To begin with, the origin of the term is uncertain. It originally applied to a number of families of mixed ancestries, primarily European, Native American, and Sub-Saharan African, who practiced endogamy(mating within a specific social group, caste, religious denomination, or ethnic group). In the first half of the 19th century, some Caucasians used the term to denigrate anyone with certain physical characteristics that distinguished them from the rest of the white population. After the American Civil War, racial stratification became incorporated into America’s laws and mores. As a result, the term’s application broadened to include anyone with dark hair, brown eyes, and swarthy complexion.

History

Many people who had some or all of these alleged Melungeon characteristics consequently adopted coping strategies to avoid the social, legal, and economic stigmas associated with the designation. Some claimed Portuguese descent; others claimed Native American ancestry, Cherokee being a favored tribal affiliation. By the mid-20th century, many had assimilated into their communities or moved, but terms such as “Black Dutch” and “Black Irish” still persisted.

Personal Context

Waylon Jennings performing in 1976 The reason for my interest in the appelation is two-fold. First, my father’s side of the family perpetuated the notion that our dark complections and brown eyes stemmed from our Cherokee heritage. Second, my research into the background of country-western singer Waylon Jennings uncovered the fact that his family line descended from the Shipley line of eastern Tennessee with “a lot of Indian blood mixed in.” This included Cherokee and Commanche, which he accepted as part of his Black Dutch heritage.

Importance

Whether this slur contributed to Jennings’ outlaw persona remains open to question. Having grown up within yet apart from an endogamous community, it factors into my feelings of being an outsider. Such feelings may or may not matter depending on what you want our society to be. My post on Black History Month could be a good place to start your involvement.

Whatever your feelings about this topic, words do have impact. In a world where a person’s features are scrutinized to determine which side of the cultural divide they’re on, an outmoded, exclusionary, yet stubbornly persistent designation should have no place in a free and truly liberated society.

What do you think? Let me know in the Comments box below.

Posted on April 9, 2023April 10, 2023 by William Fietzer

Discover Media You Can Trust

In your reading, did you discover media you can trust? Do they cite their sources and check their facts? Or do such constraints seem to get in the way of a good story, convincing opinion, or solid argument?

Reading Reservations

These reservations among others occurred to me while following the links in a story about Artificial Intelligence (AI) systems that appeared in the Science & Technology section of the news website 1440. The snippet contained two articles which contained stories about artificial intelligence ChatGPT programs creating biased narratives about a conservative American professor and an Australian shire mayor. The programs falsely accused the former of sexually harassing his students and the latter of accepting bribes before he ran for office. Two tawdry instances among many others that show artificial intelligence programs cannot be trusted–right?

Down the Rabbit Hole

Perhaps. But dig a little deeper and it turns out that the updated bersion of the bot story correctly identified the mayor as a whistle blower who “was not involved in the payment of bribes.” As for the professor’s implication that the reason why a ChatGPT made up a quote, cited a non-existent article, and referenced a false claim against him is because “the algorithms are no less biased and flawed than the people who program them.” However, his claim that “recent research has shown ChatGPT’s poltical bias” fails to stand up against even casual scrutiny. Following the link to his source reveals that quote comes from an article, “Danger in the Machine: The Perils of Political and Demographic Biases Embedded in AI Systems” which appears on the website for MI, an abbreviation for the Manhattan Institute.

More Sleuthing

Detective work OK. At this point, case closed. Or is it? One instance appears on the BBC News web page, the other on the web page of a “leading free market think tank.” Both sources for these links appear reliable, but consider the context in which these articles appear. The BBC is government-owned entity renowned for being “the world’s oldest newscaster” according to Wikipedia; MI or the Manhattan Institute, formerly the Manhattan Iinstitute for Policy Research, formerly the International Center for Economic Policy Studies, is a conservative think tank originally founded in support of supply-side economics and privitization of government services during president Reagan’s administration. Two less-in-common resources would seem likely to be paired in the same article.

The Conundrum

Does this mean both viewpoints are equally valid? Or do both contain biases of their own that mitigate any MBFC logo objective evaluation of the issue? My procedure: when in doubt in the 21st century, conduct a Google search. The first result of a “media bias” search turned up Media Bias Fact Check (MBFC) whose first menu item contains a list of nine bias categories in a continuum ranging from Least Biased to Left Biased to Right Biased to Conspiraacy-Pseudoscience. Each of these categories identifies media outlets, newspapers, websites, and social platforms in alphabetical order from around the world. Each entry is measured and evaluated against a system of standards designed to measure the source’s objectivity, honesty, and reliability.

Site Evaluations

How did the two web sites measure up? About as expected. The BBC ranked slightly left of center on the bias scale, their credibility marred only by their occasional use of emotion-laden headlines and some questionable. left-leaning sources. The Manhattan Institute received a Right bias rating that almost reached Extreme due to their lack of transparency about their funding, their use of poor sources, and one failed fact check. The overall result showed the BBC wavered very slightly to the left of the center point denoting complete objectivity on the MBFC continuum while MI landed on the Extreme right of the MBFC continuum because of its blatant promotion of right-leaning philosophies and causes.

Take-aways

What does this investigation show?

Tracking down the credibility of content and its sources can be a time-consuming rabbit-hole of a search.
Even the most reliable sources can fall victim to sensationalized claims and headlines.
Some news outlets (Radio Free Europe and Al-Jazeera come to mind) are not the biased sources their detractors claim them to be.
Many impostor sites, both human and AI-written, dispense false information under such banal titles such as the Southwest Minnesota Herald (Metric Media alone drives over a thousand of such impostor web sites that look like legitimate local news sources).
Though alphabetical, MBFC’s listings tend to cluster around T and A because initial articles are included as part of the title.

Note of Warning

MBFC is only one of several sites devoted to information objectivity and bias-identification. Many media experts regard Snopes as the gold standard in this area. MBFC has its flaws to be sure, e.g. its founder admits that its grading scale is by no means rigorous or scienfific. Still, it does identify and evaluate unexpected and unknown sources which contextualizes the information you and I read and base our opinions/decisions. If an article or website tells a good story or promotes a strong opinion, MSFC is one place you can consult to evaluate the quality and reliabity of the content these media sources use in telling it.

What do you think? Tell us in the Leave a Reply section below.

Posted on March 8, 2023April 7, 2023 by William Fietzer

Writing Tips: Rule Of Three

Last month we identified the five best love poems to honor St. Patrick’s Day. This month, we examine the Rule of Three in celebration of good writing.

What Is the Rule of Three?

The Rule of Three is a writer’s guideline for conveying the most information in the briefest amount of space in the most effective way possible. The rule applies to characters in a story, words in a title, or adjectives in front of an idea. Advertisers use it for its brevity, poets for its rhythm, and comedians for their wit. Growing out of the oral tradition of story-telling, the Rule of Three possesses something of a mythic quality by enabling audiences to comprehend and remember concepts in a train of thought.

Examples

The Rule of Three appears everywhere:

In folklore: The Three Little pigs, Goldilocks and the Three Bears, Three Billy Goats Gruff
In literature: The Three Musketeers, the three ghosts which visit Scrooge in Dickens’ A Christmas Carol, the Three Witches in Shakespeare’s Macbeth.
In religion: the Three Wise Men who visited Jesus after his birth, the three gods (Vishnu, Shiva, and Brahma) of the Hindu religion, the three aspects of god in the Christian trinity.
Expressions and Catchphrases: Tom, Dick, & Harry–a phrase used to describe anyone or people of little consequence; “Turn on, tune in, drop out” phrase of the 1960s counter-culture movement; “Veni, vidi, Vici (I came, I saw, I conquered)” attributed to Julius Caesar.

Special Instances

The last set of examples above exemplifies the use of the tricolon in good writing. They achieve a symmetry of expression through the parallelism in their number of words or syllables and in the likeness of their concepts. Those progressions whose concepts increase in weight or magnitude are called ascending tricolons; those expressions that do the opposite are called descending tricolons. Bicolon (two) and Tetracolon (four) are other forms of this type of parallel expression.

Words of Warning

Enjoyable and succinct as these forms of expression are, an author should be careful in employing them in his/her writing. So many of this type of expression, the bicolon in particular, have crept into common usage that using them in an original text is considered lazy or unimaginative writing. Describing a story as “cloak and dagger” or a character as “tall, dark, and handsome” is as much a writing faux pas as opening a story with Snoopy’s sendup of Edward Bulwer Lytton‘s “It was a dark and stormy night.” And reversing the order of a common binomial expression like “law and order” or “bride and groom” is a particularly egregious errror unless intended for comedic effect.

What It All Comes Down To

Writing should be fun. For me as for most writers, nothing is so satisfying as stating our themes and ideas in a way that was “ne’er so well-expressed,” to borrow from the poet Alexander Pope. If you can compress a theme or idea into a rhythmic paralielism like the examples above–great. If knowing the concepts behind such constructions aids your writing so much the better. The measure of a writer is in doing so wisely and well. Not every Tom, Dick, or Harry can do it.

Are you up for that challenge? Tell us why or why not in the Leave a Reply section below.

Posted on February 5, 2023February 6, 2023 by William Fietzer

Top Five Poems for Valentine’s Day

Paper heart decoration for Valentine’s. Original public domain image from Wikimedia Commons

It’s that time of the year again (Valentine’s Day) when awkward swains and self-conscious partners must express their devotion to a chosen one. If any of you heeded my suggestion in an earlier blog post to read to each other every week, you’ll have found plenty of material for voicing your feelings. If not, poets.org, interestingliterature.com, reedsy.com, and The Norton Guide of English Literature helped me winnow my top five love poems out of many for you.

#5 Vivien’s Song–Alfred Lord Tennyson

Tennyson wrote a great deal of romantic poetry laden with overt and repressed feelings for his friends, countrymen, and nation–Idylls of the King being one example–but few love poems. This sonnet, which begins “In love, if love be L ove, if Love be ours . . .” moves from tentative uncertainty to an all-or-nothing roll of the dice hope in seeking fulfillment.

#4 How Do I Love Thee? (Sonnet 43)–Elizabeth Barrett Browning

This may be the most direct expression of love in the English language. Ms. Browning’s poem ranges over space, time, and creation in the expansiveness of the poet’s feelings. She and Robert Browning may be the Victorian poster children of star-crossed lovers, but she leaves no doubt regarding the breadth and depth of her feelings for her husband.

#3 Love Sonnet XI–Pablo Neruda

If Browning’s sonnet describes the intellectual depth of feeling for one’s lover, Neruda’s poem provides its earthy opposite. Seldom has the passion of love in the lusty dynamism of a prowling puma been described more viscerally than in this poem.

#2 The Good Morrow–John Donne

This poem, written before the author became a clergyman, depicts his amazement at the void in his life before he met his loved one. Love is so transformative that it makes their “one little room an everywhere” and so complete that he is forced to make the ultimate affirmation “If our two loves be one, or thou and I Love so alike that none do slacken, none can die.”

Runners-up

Before introducing my top choice of this count-down, let me add that restricting my choices to five short poems (sonnets) eliminated several poems that might would have cracked this top-ten listing. Sir Philip Sydney, Rainer Maria Rilke, Maya Angelou, Rumi, and Lord Byron (among others) could have made this list. But rather than broach the brink of uncertainty and second-guessing, I limited the list to a manageable, worthy handful.

#1 Shall I Compare Thee to a Summer’s Day? (Sonnet 18)–William Shakespeare

Who else but the Bard? Several other of his sonnets are almost as fine, but his extended metaphor in this one plays out in a way that’s sensuous, direct, and cerebral all at the same time. And this during a period right after the Gunpowder Plot which shook England to its core. No surprise the Brits voted this their greatest poem. And after taking the Discovery page’s five-question personality quiz whose algorhythm matched my personality to the Bard’s masterpiece. who am I to doubt that kismet guided my selection?

Wrapping It Up

I hope this list proves helpful. If you choose any of the five, your chosen one should be pleased when reading your choice. Links to my sources are included in the text which allow you examine my omissions and make your own decisions. If none of these prove suitable, their inadequqcy may inspire you to write your own declaration of love. After all, the 21st century needs its moments of loving self -expression, too. We all do.

If you do decide to take the plunge, let me know, and we’ll present your love-sonnet in our March posting. Good luck to all of you on February 14th!

Posted on November 23, 2022November 23, 2022 by William Fietzer

Beware of Readers Who Want Only Free Books

Bounty of the Harvest

Thanksgiving is a time for celebrating the harvest. The resulting bounty in my case has been small since the publication of my new novel, Mission: Soul Sacrifice, occurred at mid-year. Consequently, opportunities to sell copies of it at art festivals and book fairs have been minimal (blame Covid-19 and price inflattion) or nonexistetn other than as free books.

Print Is Not Dead

For many years such downticks in the economic and social well-being of the country didn’t matter. Non-fiction books and novels still remained solid present choices and reliable stocking-stuffers for the holidays. And the demise of printed communication Marshall McLuhan predicted didn’t happen. Sixty years later, the number of books published each year continues to skyrocket. Their mutant forms–audio, digital, e-reader, etc.–underscore this assertion.

Supply and Demand

That is a major part of the sales problem, however. There is too much product. Even before digital and audio books made inroads into the paperback share of the book market, independent and traditionally-published authors gave away the sweat and blood of their labors. At my last major book fair, for example, readers strolled up and down the aisles toting a shopping bag (sometimes, two) filled to the brim with free copies.

Similar to the citizens of Venezuala who luxuriated in the unearned cash bestowed by the country’s vast oil reserves, American readers are used to free handouts at book fairs and writers conferences. Why pay the nominal asking price when a Kindle Prime subscription offers free copies from many notable and less-known authors? Meanwhile, the books of authors who don’t participate in the Kindle program are readily available (for free) at the next local book fair or writers conference.

Pump-Priming

What to do? For many authors the solution appears to follow recent political trends. Double down. Prime the pump. By aping the deficit-spending philosophies of the Franklin Roosevelt and Ronald Reagan presidencies, authors hope to stimulate reader purchases by advertising through reading program promoters such as Goodreads and BookBub. By giving away a small number of their books, writers hope to attract a percentage among those who didn’t win the chance of satisfying their desire by purchasing their books instead.

Free Books and Marketing

Will such ploys work? The jury’s still out. Past giveaways prompt anywhere from two to ten per cent of overall participants to purchase copies of the titles in which they had entered. In some instances, that led to hundreds of purchases by readers otherwise disinclined to do so. One caveat remains, however. The success of previous presidentail pump-priming efforts occurred during a depression and a recession. These are instances where not enough goods enter the marketplace. Book publishing, on the other hand, currently experiences a surfeit of product. Too many books chase smaller, fractionated readerships. As a result, readers can be very selective in their choices which perpetuates and institutionalizes giveaways in the marketing cycle.

What Happens Next?

On a personal level, the reading public’s opinion regarding the bounty of my writing labors comes to a head after Thanksgiving. On December 1st, the winners of my Goodreads giveaway will be chosen and announced. After sending out their copies, the names and addresses of those who purchased the book will be sent to my email address and I’ll fulfill whatever orders are sent my way. Whether that’s one, a couple, a dozen, or hundreds, I’ll let you know in my blog posts and upcoming issues of my newsletter.

What do you think will happen? Let me know in the Leave a Reply section below.

Posted on October 22, 2022October 22, 2022 by William Fietzer

Powerful Black Cats: Foes and Familiars Found in Fiction

Black cats have a dubious reputation associated with Halloween. They have been regarded as evil omens of sorcery for centuries, particularly as familiars and shape-shifting embodiments of witches.

Popular Fiction

Holding such a dubious distinction, it’s no wonder black cats have inspired and/or been the center of popular fiction during that time. We’re all familiar with the cartoon treachery of Sylvester or the magic adventures of Felix the Cat. Some of us may even recall Krazy Kat‘s unrequited comic book love for Ignatz, the brick-throwing mouse as well (Tom & Jerry fans take note).

Children and Young Adult Fiction

But black cats appear in literary fiction, too. The covers shown alongside depict nine feline characters from children’s or young adult fiction chosen by Arapahoe Libraries. Dr. Seuss/Theordore Geisel‘s Cat in the Hat and the black cat in Coraline are perhaps the most famous, but Thackery Binx who appears in Hocus Pocus, and Salem Saberhagen, a former warlock who appears in Sabrina, the Teenage Witch have their followers, too.

Literary Fiction

On the adult side, Wikipedia identifies no less than six black cats which serve as “notable feline characters from notable literary works of fiction.” These include:

Alonzo — T. S. Eliot — Old Possum’s Book of Practical Cats;

Behemoth — Mikhail Bulgakov — The Master and the Margharita;

Black Tom — H.P. Lovecraft — The Rats in the Walls;

Kitsa — Lynn Reed Banks — The Indian in the Cupboard;

Kitty — Nick Bruel — Bad Kitty; Pluto — Edgar Allan Poe

Pluto — Edgar Allan Poe — The Black Cat

A not-insignificant list.

So, this Halloween (or your next Read to Each Other night) while you’re waiting for the next band of the trick-or-treaters to knock on your door, try reading one of these stories to pass the time. Who knows? One of these shape-shifting felines might just creep into your imagination and stay there!

Do you have any other stories or suggestions to add? Let me know in the Leave a Reply section below.

Posted on September 22, 2022September 22, 2022 by William Fietzer

Brevity: Not In The Soul of Writing Algorithms

“Brevity is the soul of wit” according to William Shakespeare, a famous quote whose expression matches its content. The context for the line, however, comes from his play, Hamlet. In Act I, the king’s counselor, Polonius, embeds and embellishes the meaning of his statement within a lengthy and fulsome preamble whose style subtly undercuts the essence of his obseration.

Search Engine Optimization

One would think the many automated writing assistants available today strive to adhere to Shakespeare’s dictum, but such is not the case. Perhaps it’s the influence of the media or the constraints of writing a blog post which seeks to optimize reader discovery through online search engines (SEOs). Whatever the case, the algorithms driving the writing software which evaluate the quality of posts such as this one encourage neither brevity of expression nor sincerity of soul.

Take, for example, the content within this post’s headline. Nine words long, it started out with six, which met the optimum length requirements. Nonetheless, the SEO software scored it fifty out of one hundred points, a good first effort. Subsequent attempts bumped up the score ten points, good but well short of the 75 needed to merit a satisfactory rating. In playing off the Bard’s quote, “writer algorithms” became a replacement for “wit,” a lengthier, non-rhyming noun more appropriate to the post’s subject matter. Despite these improvements, the software rewarded my attempts with a score in the mid-60s; better but still short of the goal.

Style vs. Substance

Only when the nondescript preposition “in” was inserted between “brevity” and “the soul” in the headline did the writing software bless my efforts with success. The semantic difference between being the essence of something or operating as just another attribute of that something didn’t matter. The important point appeared to be that adding “in the” to the title improved the emotional content of the headline despite the fact doing so added to the length of the title.

Implications

What should we make of this result? Artificially intelligent writing software encourages emotionally charged and/or misleading headlines to attract the attention of search engines on the Internet. Given the volume of prose spewedonto the Internet every day, such attempts would seem a minor deception in order for a writer’s copy to receive a glance, much less a full reading. But extend that approach to the full length of each and every article compounds the deception, skewing readers’ emotional reactions in the process. Is it any wonder our cultural life is so polarized when the content of our reading material is emotionally charged straight from its initial headline?

What do you think?

Posted on August 23, 2022 by William Fietzer

Revive an Old Entertainment Custom: Read to Each Other

Tired of the old TV shows? Exasperated by the new ones? Do reality programs, video-streaming, and subscription access leave you cold? Indifferent? Outraged? (All three?)

My wife and I feel that way, too. Aside from news about the latest headline-grabbing politician or an occasional PBS documentary, there’s little on evening television that keeps a mature couple amused and/or entertained between weekends. Cultural critic Neil Postman‘s 1984 prediction of television sacrificing the quality of information for the sake of advertising and corporate profit has become an all-too-established (and boring) reality.

What to do? We examined many differing forms of evening entertainment. Athletics and/or exercising seemed mistimed: it elevates our blood pressure right before bedtime. Movies are a more expensive form of television–action heroes fighting animatronics in front of green screens. And performance art of all kinds is reserved mostly for weekends which compounds our weekday problem.

Our solution? We went retro. How? By entertaining ourselves. Though both of us like music, neither of us is musically gifted. But we both like to read. So we decided to read selections fromour favorites to each other. Novel, short story, poetry: it doesn’t matter so long as it holds significance for one of us. Or both.

My wife says she has two selections in mind for our first session? As for my choice, since the date of our wedding anniversary happened earlier this month, I decided to resurrect a poem by John Ciardi I read for our marriage vows nearly a half-century ago. “Men Marry What They Need” appears below:

Men marry what they need. I marry you,
morning by morning, day by day, night by night,
and every marriage makes this marriage new.

In the broken name of heaven, in the light
that shatters granite, by the spitting shore,
in air that leaps and wobbles like a kite,

I marry you from time and a great door
is shut and stays shut against wind, sea, stone,
sunburst, and heavenfall. And home once more

inside our walls of skin and struts of bone,
man-woman, woman-man, and each the other,
I marry you by all dark and all dawn

and have my laugh at death.
Why should I bother the flies about me? Let them
buzz and do.
Men marry their queen, their daughter, or their mother

by hidden names, but that thin buzz whines through:
where reasons are no reason, cause is true.
Men marry what they need. I marry you.

Like it? Try dusting off an old poem or story you like and read it to your special one. You may not be Elizabeth Barrett and Robert Browning (we certainly aren’t), but who knows? Doing this could inspire me to write one myself for our next read-to-each-other evening.

I’ll keep you informed.

Posted on July 24, 2022 by William Fietzer

In Homage to the Merry Pranksters

Novelist Ken Kesey (One Flew Over the Cuckoo’s Nest) and Governor Gavin Newsome seem to have little in common other than being or having been residents of California. Yet their offbeat approaches toward The Establishment of their respective times are markedly similar. Kesey tweaked the blue noses of the East Coast and mainstream America with his psychedelics-infused bus trip(s) while Newsome mocked the vigillantism of the gun-totin’ religious right when he signed California Senate Bill 1327 into law.

Kesey’s roadtrip and attendant antics of the Merry Pranksters presaged the Hippie movement, the counter-cultural revolution, and the social-political insurrections of the 1960s such as the Chicago Seven. Their nonconformist acts inspired the political activities of the Youth International Party (Yippies) and spawned the musical phenomenon of Jerry Garcia, the Grateful Dead, and their Deadhead followers which continues to this day.

Estimating the impact of Newsome’s political gambit is more difficult to say. Spoofing the Texas state legislature’s anti-abortion approach by institutionalizing citizen vigilantism is an aggressively original and highly risky legal approach. Though the objectives of the bill and several others related to it are meretorious, they make the gun restrictions of an already safe state (comparatively) even stricter, and it is by no means certain the Supreme Court fight Newsome anticipates will ever occur. Some political experts dismiss the idiosyncratic bill as so much political posturing and part of Newsome’s opening salvo in a presidential bid in 2024.

Yet placing bounties on gun and parts manufacturers and distributors may not be as quirky and perverse a strategy as Second Amendment supporters would have you believe. In times when assaults on our national capitol and individual rights have become the norm, it also may be time for more such quirky, quixotic, and non-conformist acts in the spirit of the Merry Pranksters to occur.

What do you think? Let me know in the Leave a Reply section below:

Posted on June 17, 2022 by William Fietzer

New Novel Debuts the End of June!

Who: Author William Fietzer

What: Discusses and Reads from his New Novel

Where: Poughkeepsie Public Library – Adriance Branch (Charwat Meeting Room)

When: 7 p. m. June 30th

Signed copies, door prizes, treats and more (Register below)

He stopped them once . . . now all of hell has joined them in revenge.

Though psychologist and shaman, Dr. Victor Furst, rescued the soul of his ex, Evelyn, from the spiritual realm of Hades, he remains uneasy about Basil Zarkisian, the psychic vampire who imprisoned her soul. Will he keep his part of their Faustian bargain?

Hearing the U.S. embassy in Armenia has been bombed, he learns Zarkisian’s rebel group, the Anausavareds (New Immortals), claim responsibility for this and for the region around Mt. Ararat, their ancient kingdom of Hayastan.

Meanwhile, his ever-resentful step-daughter, Miriam, is confined to a military hospital’s psychiatric clinic, but her soul is incarcerated in Tartarus, a prison in Hades. Must Victor rescue her soul as well?

Not only Miriam’s soul is at stake. The U.S. military threatens retaliation, the nuclear option not out of the question. A widening, dimensional rift in the sky over Mt. Ararat reveals thousands of devils massing for invasion. Scores of people may die with millions more becoming living storage batteries for Zarkisian, the psychic vampires, and their devil master, Lord Ahriman.

Can Victor, Evelyn, and Miriam put aside their resentments long enough to stop the carnage?

Mr. Fietzer has done it again! His latest creation weaves a complex tale that in ways is as educational as entertaining. His characters’ odysseys travel through strife and war on Earth with sojourns through a complex rendition of Hell in multiple forms from various myths and aims of worship from ancient Greeks through Zoroastrianism. Never a dull moment, the wild ride has many twists and turns that will keep you turning pages. Well done again, sir.

— John J Higgins, author of the Archangel Jarahmael series

Check out New Publication for author information and more.

Posted on May 22, 2022April 9, 2023 by William Fietzer

How Larry Woiwode Inspired My Life, I Think

Earlier this week I was shocked and saddened to read the New York Times obituary of author Larry Woiwode. We were not close nor can I say he influenced me in any tangible way. But for a brief while, he was my creative writing instructor at the University of Wisconsin in the spring of 1974.

It was a period of great emotional stress in both our lives. After the success of his first book, What I’m Going to Do, I Think, Larry was struggling to complete his master opus, Beyond the Bedroom Wall. I was struggling to find myself returning to graduate school after a traumatic interval of military service during the wind down of American involvement in the Vietnam War. According to the Times, writing this blockbuster nearly cost Mr. Woiwode his health, his wife, and his sanity. But it never showed in his conduct of our class nor in his comments about the quality and style of our writings. He was always incisive and supportive. And I, who had entertained aspirations of becoming a writer before being drafted into the Army, appreciated that.

Two things stand out in my memory of that class. One: Larry preached to us time and again that prose had to be written at least as well as poetry. Two: after I quit graduate school mid-semester and left for Boston with the woman who later would become my wife, Larry sent me his comments on my final short story which ended with “Best of luck to you and your chosen one.”

Did I need this blessing to justify my decision? I doubt it. Has it made a difference in how I view the world and my success within it? Perhaps. Though we write in different genres with different philosophies, I’ve always strived to maintain the reverence for the printed word that he did. That has shaped my life more than anything.

Posted on April 11, 2022 by William Fietzer

Russian Identity and the Fate of the Superfluous Man

A Superfluous Man (Eugen Onegin) idly polishing his fingernails.

Yesterday’s matinee performance at the Metropolitan Opera of Pyotr Tchaikovsky‘s opera, Eugene Onegin, was superb, of course. Tick off the categories: music–gorgeous; set design–evocative; singing–sublime; and acting–engrossing (I actually felt sorry for Onegin despite his well-deserved fate; Igor Golovatenko‘s portrayal was that good!).

But this post is not a review so much as an addendum. One aspect that didn’t receive much attention in the playbill was the notion of the “superfluous man,” a concept central to Alexander Pushkin‘s prose poem of the same name on which Tchaikovsky based his opera. The idea originated as an offshoot of the “Byronic hero,” the antithesis of Napoleon’s “Great Man,” a concept which dominated much of 19th-century literature. Unlike Napoleon, Pushkin’s conceit is of a man born into wealth and privilege who possesses a cynical disregard for social norms and is filled with existential ennui, a thematic staple for Russian authors ranging from Mikhail Lermontov to Ivan Turgenev to Ivan Gonchorov. A product of what one critic called “a by-product of Russian serfdom,” the superfluous man is fated to a life devoid of love or purpose. As a result, his major course of action is to manipulate, degrade or pacify others in order to gain more comfort and security for himself because he has little belief or interest in using his power for the common good.

Aside from the privileged background, do the above character traits remind you of anyone contemporary? Let me know in the Comments section.

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Posted on April 3, 2022April 3, 2022 by William Fietzer

Second Installment Is On The Way!

It’s taken a while for the manuscript to be worked into respectable print form and some fine-tuning remains to be done, but the second installment in the Escape from the Immortals series is close to publication through Cactus Moon Publishing. The video clip gives a taste of what Mission: Soul Sacrifice is all about. Enjoy!

More information about Prepublication Orders and the like will come out once we schedule the book’s publication date. Meanwhile, let me know what you think of the video, my forthcoming novel, or this website by leaving a Comment in the Leave a Reply section below:

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Posted on March 6, 2022March 6, 2022 by William Fietzer — 2 Comments

Is Invading Ukraine Just More March Madness?

Much as I’d like to dwell on the University of Wisconsin men’s basketball team and their chances in the NCAA tournament (Go Badgers!!), devoting a post to this American brand of self-indulgence seems especially superficial considering the military madness hreatening Ukraine, the United States, and the rest of the world (see my blogpost “The Unfulfilled Right and Sinclair Lewis“) . Instead, we’re delving into the origins of the idiom which heralds spring’s onset. Something in the air this time of year may cause such folly to occur.

Many scholars associate the notion of “March madness” with the madness of the March Hare in Lewis Carroll‘s Alice’s Adventures in Wonderland. Borrowed from the British idiom, “mad as a March hare,” the expression captures the exuberant, even violent breeding behavior of European hares in early March. It also has a long history having first appeared in playwright John Heywood‘s collection of British proverbs published in 1546.

In Lewis’ story, the Hare acts as he does because the Mad Hatter “murdered the time” in the course of singing to the Queen of Hearts. As a result, the hare now acts riotously as though it were always teatime.

The fatal ramifications of the Hatter’s actions provide the common thread in the origin of a related expression “mad as a hatter.” Whether it derives from the mercury poisoning of 19th-century hatters, the compassionate acts of 17th-century hermit, Roger Crab, or the pronunciation approximation of the English word “adder” with “hatter” meaning “venomous as a viper,” the expression has adopted a fatal and fatalistic connotation.

Regardless of its origins, the expression’s historical associations are profound. Abraham Lincoln‘s assassin, John Wilkes Booth, was shot and killed by Union army soldier Thomas H. Corbett. Though Corbett was arrested for not taking Booth alive as ordered, Secretary of War Edwin Stanton released him from prison because of the public’s regard for him as a war hero. He returned to his original occupation of hat-making upon release, but said to have grown more mad than once realized, he was thrown into an insane asylum from which he escaped and was never seen again.

It is entirely possible such unrelated events result from pure coincidence. In Corbett’s case it’s likely the pressures of being the person who killed Lincoln’s assassin stoked whatever “madness” was said to characterize his behavior before he entered the Union army. Though idioms do express a culture’s regard towards the way things happen, they don’t explain how or why they do. It’s equally possible we have reached the point where hyperbole is reality. Athletes and coaches, professional and amateur, have backed away from competition in recent years because the mental and physical demands are too great. In some instances, they or their families were threatened with bodily harm by overzealous fans.

So, ask yourself: when cheering hard fouls or cursing referees’ during the rough-and-tumble play that marks athletes’ performances: am I engaging in a socialized form of venting the angst in my everyday life? Or am I freeing more primitive urges which subjugate in a violent way any and all people with whom I disagree, much as Russia is now doing with Ukraine?

What do you think? Leave a Reply and let me know below.

Posted on February 5, 2022February 11, 2022 by William Fietzer

How to Actively Celebrate Black History Month

It’s not easy to know how to support Blacks and other people of color in America when you’re an older white liberal like me. Criticize or offer advice and you sound patronizing or racist. Stay detached, and you’re not helping their cause. Donate money and it seems another conscience-easing handout.

Yet you want to contribute something–your time, your effort–what? Blacks’ status as second-class citizens in this country fuels my outrage. I want to do something about it, something more more dynamic than donating money or marching at a protest rally no matter how effective such actions may sometimes be.

What to do?

A little research reveals there are many ways to become more actively involved. One of the best is to maintain minorities’ ability to express their political opinions at the ballot box. The right to vote remains the cornerstone to participating in everything America represents or has to offer.

Through legislative and judicial machinations, vested interests have curtailed that right, however. Voter suppression, particularly for Blacks and people of color is a reality in Texas, Georgia, and several other of states with more seeking to follow their lead.

Yet, the cause is not hopeless. The American Civil Liberties Union (ACLU), the Black Voters Matter Fund, Common Cause, and dozens of other groups are partnering to erase voter inequities through phone banking, texting, and letter-writing state legislators.

One group that offers the most bang for your activist buck is the Center for Common Ground. Its stated mission is to “to educate and empower under-represented voters in voter suppression states to engage in elections and advocate for their right to vote.”

From amending the filibuster to postcarding “underserved communities,” Common Ground provided organizational tools that transformed my political impotence into activist reality. And isn’t channeling outrage into resiliency and courage part of what Black History celebrates?

Let me know your thoughts in the Leave a Reply section below.

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Posted on January 17, 2022January 18, 2022 by William Fietzer

The Unfulfilled Right and Sinclair Lewis

In the aftermath of the January 6th Insurrection it’s become fashionable to compare the Trump administration’s overreach to the Nazis takeover of Germany’s government during the 1930s. Nowhere does this analogy seem more apt than in Sinclair Lewis‘ dystopian novel, It Can’t Happen Here.

Lewis’ fascist antagonist in the novel, Senator Berzelius (Buzz) Windrip, resembles Louisianna populist senator Huey Long more than he does Adolf Hitler in word and deed. For that reason, people sometimes minimize the significance of the comparison between the architect of World War II (and the Holocaust) and the folksy champion of the “Forgotten Men” in 1930s America.

Yet, the narrative’s setting during the Great Depression compares well with the second decade of the the twenty-first century in several respects. One is the rise in political autocracy common to both periods. Another is the increasing political and cultural divides such absolutist attitudes engender. And third is the economic disparity between the Haves and Have-nots in each society despite contemporary America’s affluence vis-a-vis its Depression-era predecessor.

Early in the novel, Lewis quotes protagonist and newspaper editor Doremus Jessup’s ineffective and lazy hired man, Karl Ledue. “What burns me up” he says “isn’t that old soap-boxer’s chestnut about how one-tenth of one-percent of the population at the top have an aggregate income equal to forty-two percent at the bottom.” What upsets him is the existence of the working poor–people who earned $500 or less even during prosperous times who “had the honor of still doing honest labor.”

That “old chestnut” figure Ledue cites compares significantly with economist and former Labor Secretary, Robert Reich’s statistic that one-tenth of one percent of Americans currently own 35 percent of the nation’s wealth and income. You might observe the percentage drop in comparative overall income between the periods indicates the overall improvement in economic equality between the poorest and richest segments of our society. Others would note economic inequality is still with us after 85 years despite all attempts to reduce this divide.

At this point it seems Americans have two choices. Economic inequality either remains a permanently endemic feature of our country’s capitalist society; or this ongoing economic disparity betrays the hopes, dreams, and trust stated in the Preamble to the U.S. Bill of Rights for government to “promote the general welfare” and must be rectified. In Lewis’ book, Jessup is imprisoned for protesting the current political and economic conditions. In contemporary society, the outlook seems similarly dire but much less certain.

Which reality–fictional or real life–would you prefer? Or believe possible? Let me know in the Comments.

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Posted on December 18, 2021August 30, 2023 by William Fietzer

Lost and Found

When we lived in Madison, Wisconsin, the Wisconsin State Journal ran a weekly column entitled “Things Found on the Way to Other Things.” While researching his more newsworthy stories, the columnist uncovered enough incidental details, bits of trivia, and unusual statistics sufficient to fill out a weekly list of factoids and informative anecdotes. Such addenda held little significance then, but the proliferation of trivia contests and the decades-long run of TV’s Jeopardy testify to the popularity of the insignificant fact or telling detail in people’s imaginations.

The reason for supplying this lengthy explanation arises from a question often asked at author events: where do you get your ideas? If you’re a writer, you’re receptive to all sorts of inputs from your environment. Often, they’re not the result of major events like the Covid pandemic or America’s cultural divide, but small items gleaned from non-traditional news sources like cable TV or social media.

Take, for example, “Ken Fisher’s Super Quiz.” It’s a daily trivia quiz on random topics originally associated with biochemist and author Isaac Asimov. The topic of Friday’s quiz was Clothes. Most of the questions were inconsequential, but one about the term for a tailor who makes custom-made clothes stood out–bespoke. Never hearing the term used in that context before, I queried Google and found a Wikipedia article on the topic which explained the difference between custom and bespoke tailoring (the latter makes a suit from exact measurements of the customer’s torso while the former adjusts a made-to-measure suit to fit the buyer).

Significant? Not in itself, but reading the full article revealed two nuggets of information:

Bespoke tailoring is protected by law in France.
The new bespoke tailoring movement began in England on Savile Row in 1969.

Though neither of these developments affect me directly (a custom-tailored suit is beyond my means), they do explain why the owners of the haute couture fasion houses in Paris are so upset someone is stealing their designs in the movie musical Roberta. And maybe why John Lennon and Paul McCartney are so well-turned-out on the cover of their album, Abbey Road--Nutters of Savile Row was fiancially backed by Cilla Black and Peter Brown of the Beatles’ Apple Corps.

Clothes may not make the man, but they help explain the lasting impact that iconic cover has had on a generation of rock music enthusiasts. Like recovering a discarded T-shirt, a minor discovery like this one shows things are not lost, just buried under the avalanche of history’s advance. Future revelations of this sort may not appear in my novels, but they will be a feature of this blog in the upcoming months. Check in from time to time.to see what tidbits I’ve uncovered trolled from the back pages of People, YouTube, and elsewhere.

In the meantime, can anyone provide me the name of the reporter who wrote the column mentioned above? Let me know in the Comments section.

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Posted on September 6, 2021January 17, 2022 by William Fietzer

Hi, everyone!

A bold image beside this text? Perhaps, but necessary to gain your attention. It may not be the conventional depiction of the phoenix, either, that mythical bird that symbolizes death and renewal, but for me it represents the rebirth of my author website.

Some of you may have noted its disappearance over the summer. Though it would be nice to say its absence was due for a scheduled overhaul (which it needed), the truth is that it became so encumbered with outdated links and outmoded plugins that it became inoperable. People trying to sign up for my newsletter or purchase my books complained the site was unresponsive or failed to connect with its intended links. For a while it served as a signpost or listserv for others to hawk their wares. Worst of all, it failed to project and protect my own musings on various topics.

Well, no more! The scattered domain registration, site-hosting, and blog posts of yesteryear (This domain has existed since 2007) are now consolidated under one banner. With ample advice and assistance from the tech wizards at Bluehost, my author website has risen from the ashes of the old with all the contentious spirit of the demon dragon image that represents it. The image also serves as part of one of three book cover ideas submitted to the publisher for the publication of my next novel, Mission: Soul Sacrifice. What their graphics designer does with it, or any of my submissions, we’ll find out in the next few weeks

Until then, beware of any rift or sudden parting of nighttime clouds. It may be the Moon, or it may be nothing. Or it may mark the onset of the invasion by the Zoroastrian god Ahriman and all his demonic minions from Hades and beyond . . .

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