Author: William Fietzer

William Fietzer moved to Poughkeepsie, NY from Minneapolis with his wife and Norwegian forest cat, Selene, in 2019 to be closer to family. He has published academic and popular articles and stories about librarianship, the Twin Cities, Hudson Valley, and national cultural scenes along with three novels. His first two novels, Penal Fires and Metadata Murders, examined America's underworld of class, crime, and technology. His latest, Mission: Soul Rescue, adds the paranormal to that mix. His forthcoming novel, Mission: Soul Sacrifice, continues his investigations into our spiritual and cultural realities.
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Top Five Poems for Valentine’s Day

Paper heart decoration for Valentine’s. Original public domain image from Wikimedia Commons

It’s that time of the year again (Valentine’s Day) when awkward swains and self-conscious partners must express their devotion to a chosen one. If any of you heeded my suggestion in an earlier blog post to read to each other every week, you’ll have found plenty of material for voicing your feelings. If not, poets.org, interestingliterature.com, reedsy.com, and The Norton Guide of English Literature helped me winnow my top five love poems out of many for you.

#5 Vivien’s Song–Alfred Lord Tennyson

Tennyson wrote a great deal of romantic poetry laden with overt and repressed feelings for his friends, countrymen, and nation–Idylls of the King being one example–but few love poems. This sonnet, which begins  “In love, if love be L ove, if Love be ours . . .” moves from tentative uncertainty to an all-or-nothing roll of the dice hope in seeking fulfillment.

#4 How Do I Love Thee? (Sonnet 43)–Elizabeth Barrett Browning

This may be the most direct expression of love in the English language. Ms. Browning’s poem ranges over space, time, and creation in the expansiveness of the poet’s feelings. She and Robert Browning may be the Victorian poster children of star-crossed lovers, but she leaves no doubt regarding the breadth and depth of her feelings for her husband.

#3 Love Sonnet XI–Pablo Neruda

If Browning’s sonnet describes the intellectual depth of feeling for one’s lover, Neruda’s poem provides its earthy opposite. Seldom has the passion of love in the lusty dynamism of a prowling puma been described more viscerally than in this poem.

#2 The Good Morrow–John Donne

This poem, written before the author became a clergyman, depicts his amazement at the void in his life before he met his loved one. Love is so transformative that it makes their “one little room an everywhere” and so complete that he is forced to make the ultimate affirmation “If our two loves be one, or thou and I Love so alike that none do slacken, none can die.”

Runners-up

Before introducing my top choice of this count-down, let me add that restricting my choices to five short poems (sonnets) eliminated several poems that might would have cracked this top-ten listing. Sir Philip Sydney, Rainer Maria Rilke, Maya Angelou, Rumi, and Lord Byron (among others) could have made this list. But rather than broach the brink of uncertainty and second-guessing, I  limited the list to a manageable, worthy handful.

#1 Shall I Compare Thee to a Summer’s Day? (Sonnet 18)–William Shakespeare

Who else but the Bard? Several other of his sonnets are almost as fine, but his extended metaphor in this one plays out in a way that’s sensuous, direct, and cerebral all at the same time. And this during a period right after the Gunpowder Plot which shook England to its core. No surprise the Brits voted this their greatest poem.  And after taking the Discovery page’s five-question personality quiz whose algorhythm matched my personality to the Bard’s masterpiece. who am I to doubt that kismet guided my selection?

Wrapping It Up

I hope this list proves helpful. If you choose any of the five, your chosen one should be pleased when reading your choice. Links to my sources are included in the text which allow you examine my omissions and make your own decisions. If none of these prove suitable, their inadequqcy may inspire you to write your own declaration of love. After all, the 21st century needs its moments of loving self -expression, too. We all do.

If you do decide to take the plunge, let me know, and we’ll present your love-sonnet in our March posting. Good luck to all of you on February 14th!

 

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How to Make Father Christmas into Santa Claus

Father & Mrs. Xmas

Like other cultural icons, Santa Claus wasn’t always the personification of Christmas familiar to most Americans. His genesis as a gift-giving philanthropist evolved out of the political wars that involved his British cultural predecessor, Father Christmas, and documented in their literature.

Medieval Times

During the English High Middle Ages, people combined the celebration of Christ’s birth with their pre-Christian midwinter traditions. What these traditions might have been “we have no details at all” accoring to historian Ronald Hutton. The  symbol of the traditions came later and reflected the changing social and political turmoil of the times.

First Embodiment

In the 15th and 16th centuries the concept of Christmas became associated with merry-making and drinking. In a carol written by Richard Smart, Rector of Plymtree, a line refers to “Sir Christmas” who announces Christ’s birth and encourages parishioners to :”Make good cheer and be right merry, / And sing with us now joyfully: Nowell, nowell.”

Around the same time a gentleman named John Goodman helped the populace of Norwich celebrate the holiday by riding a horse wrapped in tin faoil in a pageant as Father Christmas.

Development

From the humble beginnings cited above, certain aspects of this Christmas personification began to take shape, particularly his chaotic association with the Lord of Misrule. Much like the Merry Pranksters of the 1960s, this association fostered his confrontations with the social and polifical establishment. Some highlights from the literature of the period reflect this, such as:

  • In Thomas Nashe‘s play, Summer’s Last Will and Testament, a miserly Christmas character refuses to maintain his traditional role of keeping the feast.
  • Playwright Ben Jonson in his Christmas, A Masque depicts a sartorially outdated “Old Christmas” who protests the attempts to exclude him from the holiday celebrations in the Protestant church
  • The Puritans abolishment of the celebration of Christmas and other festivals for eight years prompted supporters of the royalists cause to celebrate Father Christmas as a symbol of “the good old days’ of feasting and good cheer.,”
  • The reestablishment of the monarchy prompted diearist Samuel Pepys to celebrate the return of Father Christmas in his ballad “Old Christmas Returnd.”

Deemphasis and Revival

Interest in the character dwindled after the restoration of the monarch for over a century until Scots poets, Sir Walter Scott, revived it in his poem “Marmarion” by tying the figure to his phrase “merry England” as part of Englans’s golden age from years past. Thomas Hervey embellished this association and Charles Dickens cemented Father Christmas’ stature in his book A Christmas Carol.

As Gift-Giver

As peoples’ roles within the family and society solidified during the Victorian era, Father Christmas’ role changed, too.  Cross-fertilization from American magazines helped transform Father Christmas from boozy celebrant to children’s gift-giver. With his role change his costume changed as well. A red stocking cap and trimmed, snow-white beard replaced the dingy green and unkempt party animal of yesteryear.

Total Transformation

The Coco-Cola Company’s Christmas advertising campaign completed Father Christamas’ morphing into Santa Claus. He became a jolly entrepreneur whose marketing strategy involved an isolated and secret monopolization of gift-giving magically accomplished during one frigid night in December.  Although Father Christmas remains a name more associated with British than American celebrations of the event, the British name is considered to have a socially superior cachet and therefore is preferred by certain advertisers.

What name do you prefer: Father Christmas or Santa Claus? Let us know in the Leave a Reply section below.

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Beware of Readers Who Want Only Free Books

Bounty of the Harvest

Thanksgiving is a time for celebrating the harvest. The resulting bounty in my case has been small since the publication of my new novel, Mission: Soul Sacrifice, occurred at mid-year. Consequently, opportunities to sell copies of it at art festivals and book fairs have been minimal (blame Covid-19 and price inflattion) or nonexistetn other than as free books.

Print Is Not Dead

For many years such downticks in the economic and social well-being of the country didn’t matter. Non-fiction books and novels still remained solid present choices and reliable stocking-stuffers for the holidays. And the demise of printed communication Marshall McLuhan predicted didn’t happen. Sixty years later, the number of books published each year continues to skyrocket. Their mutant forms–audio, digital, e-reader, etc.–underscore this assertion.

Supply and Demand

That is a major part of the sales problem, however. There is too much product. Even before digital and audio books made inroads into the paperback share of the book market, independent and traditionally-published authors gave away the sweat and blood of their labors. At my last major book fair, for example, readers strolled up and down the aisles toting a shopping bag (sometimes, two) filled to the brim with free copies.

Similar to the citizens of Venezuala who luxuriated in the unearned cash bestowed by the country’s vast oil reserves, American readers are used to free handouts at book fairs and writers conferences. Why pay the nominal asking price when a Kindle Prime subscription offers free copies from many notable and less-known authors? Meanwhile, the books of authors who don’t participate in the Kindle program are readily available (for free) at the next local book fair or writers conference.

Pump-Priming

What to do? For many authors the solution appears to follow recent political trends. Double down. Prime the pump. By aping the deficit-spending philosophies of the Franklin Roosevelt and Ronald Reagan presidencies, authors hope to stimulate reader purchases by advertising through reading program promoters such as Goodreads and BookBub. By giving away a small number of their books, writers hope to attract a percentage among those who didn’t win the chance of satisfying their desire by purchasing their books instead.

Free Books and Marketing

Will such ploys work? The jury’s still out. Past giveaways prompt anywhere from two to ten per cent of overall participants to purchase copies of the titles in which they had entered. In some instances, that led to hundreds of purchases by readers otherwise disinclined to do so. One caveat remains, however. The success of previous presidentail pump-priming efforts occurred during a depression and a recession. These are instances where not enough goods enter the marketplace. Book publishing, on the other hand, currently experiences a surfeit of product. Too many books chase smaller, fractionated readerships. As a result, readers can be very selective in their choices which perpetuates and institutionalizes giveaways in the marketing cycle.

What Happens Next?

On a personal level, the reading public’s opinion regarding the bounty of my writing labors comes to a head after Thanksgiving. On December 1st, the winners of my Goodreads giveaway will be chosen and announced. After sending out their copies, the names and addresses of those who purchased the book will be sent to my email address and I’ll fulfill whatever orders are sent my way. Whether that’s one, a couple, a dozen, or hundreds, I’ll let you know in my blog posts and upcoming issues of my newsletter.

What do you think will happen? Let me know in the Leave a Reply section below.

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Powerful Black Cats: Foes and Familiars Found in Fiction

Black cats have a dubious reputation associated with Halloween. They have been regarded as evil omens of sorcery for centuries, particularly as familiars and shape-shifting embodiments of witches.

Popular Fiction

Holding such a dubious distinction, it’s no wonder black cats have inspired and/or been the center of popular fiction during that time. We’re all familiar with the cartoon treachery of Sylvester or the magic adventures of Felix the Cat. Some of us may even recall Krazy Kat‘s unrequited comic book love for Ignatz, the brick-throwing mouse as well (Tom & Jerry fans take note).

Children and Young Adult Fiction

Black Cat Literature

But black cats appear in literary fiction, too. The covers shown alongside depict nine feline characters from children’s or young adult fiction chosen by Arapahoe Libraries. Dr. Seuss/Theordore Geisel‘s Cat in the Hat and the black cat in Coraline are perhaps the most famous, but Thackery Binx who appears in Hocus Pocus, and Salem Saberhagen, a former warlock who appears in Sabrina, the Teenage Witch have their followers, too.

Literary Fiction

Selene & Friend

On the adult side, Wikipedia identifies no less than six black cats which serve as “notable feline characters from notable literary works of fiction.” These include:

Alonzo — T. S. Eliot — Old Possum’s Book of Practical Cats;

Behemoth — Mikhail Bulgakov — The Master and the Margharita;

Black Tom — H.P. Lovecraft — The Rats in the Walls;

Kitsa — Lynn Reed Banks — The Indian in the Cupboard;

Kitty — Nick Bruel — Bad Kitty; Pluto — Edgar Allan Poe

Pluto — Edgar Allan Poe — The Black Cat

A not-insignificant list.

Sylvester

So, this Halloween (or your next Read to Each Other night) while you’re waiting for the next band of the trick-or-treaters to knock on your door, try reading one of these stories to pass the time. Who knows? One of these shape-shifting felines might just creep into your imagination and stay there!

Do you have any other stories or suggestions to add? Let me know in the Leave a Reply section below.

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Brevity: Not In The Soul of Writing Algorithms

Algorithm definition

“Brevity is the soul of wit” according to William Shakespeare, a famous quote whose expression matches its content. The context for the line, however, comes from his play, Hamlet. In Act I, the king’s counselor, Polonius, embeds and embellishes the meaning of his statement within a lengthy and fulsome preamble whose style subtly undercuts the essence of his obseration.

Search Engine Optimization

One would think the many automated writing assistants available today strive to adhere to Shakespeare’s dictum, but such is not the case. Perhaps it’s the influence of the media or the constraints of writing a blog post which seeks to optimize reader discovery through online search engines (SEOs). Whatever the case, the algorithms driving the writing software which evaluate the quality of posts such as this one encourage neither brevity of expression nor sincerity of soul.

Take, for example, the content within this post’s headline. Nine words long, it started out with six, which met the optimum length requirements. Nonetheless, the SEO software scored it fifty out of one hundred points, a good first effort. Subsequent attempts bumped up the score ten points, good but well short of the 75 needed to merit a satisfactory rating. In playing off the Bard’s quote, “writer algorithms” became a replacement for “wit,” a lengthier, non-rhyming noun more appropriate to the post’s subject matter. Despite these improvements, the software rewarded my attempts with a score in the mid-60s; better but still short of the goal.

Style vs. Substance

Only when the nondescript preposition “in” was inserted between “brevity” and “the soul” in the headline did the writing software bless my efforts with success. The semantic difference between being the essence of something or operating as just another attribute of that something didn’t matter. The important point appeared to be that adding “in the” to the title improved the emotional content of the headline despite the fact doing so added to the length of the title.

Implications

What should we make of this result? Artificially intelligent writing software encourages emotionally charged and/or misleading headlines to attract the attention of search engines on the Internet. Given the volume of prose spewedonto the Internet every day, such attempts would seem a minor deception in order for a writer’s copy to receive a glance, much less a full reading. But extend that approach to the full length of each and every article compounds the deception, skewing readers’ emotional reactions in the process. Is it any wonder our cultural life is so polarized when the content of our reading material is emotionally charged straight from its initial headline?

What do you think?

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Revive an Old Entertainment Custom: Read to Each Other

Tired of the old TV shows? Exasperated by the new ones? Do reality programs, video-streaming, and subscription access leave you cold? Indifferent? Outraged? (All three?)

My wife and I feel that way, too. Aside from news about the latest headline-grabbing politician or an occasional PBS documentary, there’s little on evening television that keeps a mature couple amused and/or entertained between weekends. Cultural critic Neil Postman‘s 1984 prediction of television sacrificing the quality of information for the sake of advertising and corporate profit has become an all-too-established (and boring) reality.

What to do? We examined many differing forms of evening entertainment. Athletics and/or exercising seemed mistimed: it elevates our blood pressure right before bedtime. Movies are a more expensive form of television–action heroes fighting animatronics in front of green screens. And performance art of all kinds is reserved mostly for weekends which compounds our weekday problem.

Our solution? We went retro. How? By entertaining ourselves. Though both of us like music, neither of us is musically gifted. But we both like to read. So we decided to read selections fromour favorites to each other. Novel, short story, poetry: it doesn’t matter so long as it holds significance for one of us. Or both.

My wife says she has two selections in mind for our first session? As for my choice, since the date of our wedding anniversary happened earlier this month, I decided to resurrect a poem by John Ciardi I read for our marriage vows nearly a half-century ago. “Men Marry What They Need” appears below:

Men marry what they need. I marry you,
morning by morning, day by day, night by night,
and every marriage makes this marriage new.

In the broken name of heaven, in the light
that shatters granite, by the spitting shore,
in air that leaps and wobbles like a kite,

I marry you from time and a great door
is shut and stays shut against wind, sea, stone,
sunburst, and heavenfall. And home once more

inside our walls of skin and struts of bone,
man-woman, woman-man, and each the other,
I marry you by all dark and all dawn

and have my laugh at death.
Why should I bother the flies about me? Let them
buzz and do.
Men marry their queen, their daughter, or their mother

by hidden names, but that thin buzz whines through:
where reasons are no reason, cause is true.
Men marry what they need. I marry you.

Like it? Try dusting off an old poem or story you like and read it to your special one. You may not be Elizabeth Barrett and Robert Browning (we certainly aren’t), but who knows? Doing this could inspire me to write one myself for our next read-to-each-other evening.

I’ll keep you informed.

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In Homage to the Merry Pranksters

Novelist Ken Kesey (One Flew Over the Cuckoo’s Nest) and Governor Gavin Newsome seem to have little in common other than being or having been residents of California. Yet their offbeat approaches toward The Establishment of their respective times are markedly similar. Kesey tweaked the blue noses of the East Coast and mainstream America with his psychedelics-infused bus trip(s) while Newsome mocked the vigillantism of the gun-totin’ religious right when he signed California Senate Bill 1327 into law.

Kesey’s roadtrip and attendant antics of the Merry Pranksters presaged the Hippie movement, the counter-cultural revolution, and the social-political insurrections of the 1960s such as the Chicago Seven. Their nonconformist acts inspired the political activities of the Youth International Party (Yippies) and spawned the musical phenomenon of Jerry Garcia, the Grateful Dead, and their Deadhead followers which continues to this day.

Estimating the impact of Newsome’s political gambit is more difficult to say. Spoofing the Texas state legislature’s anti-abortion approach by institutionalizing citizen vigilantism is an aggressively original and highly risky legal approach. Though the objectives of the bill and several others related to it are meretorious, they make the gun restrictions of an already safe state (comparatively) even stricter, and it is by no means certain the Supreme Court fight Newsome anticipates will ever occur. Some political experts dismiss the idiosyncratic bill as so much political posturing and part of Newsome’s opening salvo in a presidential bid in 2024.

Yet placing bounties on gun and parts manufacturers and distributors may not be as quirky and perverse a strategy as Second Amendment supporters would have you believe. In times when assaults on our national capitol and individual rights have become the norm, it also may be time for more such quirky, quixotic, and non-conformist acts in the spirit of the Merry Pranksters to occur.

What do you think? Let me know in the Leave a Reply section below:

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New Novel Debuts the End of June!

Who: Author William Fietzer

What: Discusses and Reads from his New Novel

Where: Poughkeepsie Public Library – Adriance Branch (Charwat Meeting Room)

When: 7 p. m. June 30th

Signed copies, door prizes, treats and more (Register below)

He stopped them once . . . now all of hell has joined them in revenge.

Though psychologist and shaman, Dr. Victor Furst, rescued the soul of his ex, Evelyn, from the spiritual realm of Hades, he remains uneasy about Basil Zarkisian, the psychic vampire who imprisoned her soul. Will he keep his part of their Faustian bargain?

Hearing the U.S. embassy in Armenia has been bombed, he learns Zarkisian’s rebel group, the Anausavareds (New Immortals), claim responsibility for this and for the region around Mt. Ararat, their ancient kingdom of Hayastan.

Meanwhile, his ever-resentful step-daughter, Miriam, is confined to a military hospital’s psychiatric clinic, but her soul is incarcerated in Tartarus, a prison in Hades. Must Victor rescue her soul as well?

Not only Miriam’s soul is at stake. The U.S. military threatens retaliation, the nuclear option not out of the question. A widening, dimensional rift in the sky over Mt. Ararat reveals thousands of devils massing for invasion. Scores of people may die with millions more becoming living storage batteries for Zarkisian, the psychic vampires, and their devil master, Lord Ahriman.

Can Victor, Evelyn, and Miriam put aside their resentments long enough to stop the carnage?

Mr. Fietzer has done it again! His latest creation weaves a complex tale that in ways is as educational as entertaining. His characters’ odysseys travel through strife and war on Earth with sojourns through a complex rendition of Hell in multiple forms from various myths and aims of worship from ancient Greeks through Zoroastrianism. Never a dull moment, the wild ride has many twists and turns that will keep you turning pages. Well done again, sir.

                     — John J Higgins, author of the Archangel Jarahmael series

Check out New Publication for author information and more.

Register Now!

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How Larry Woiwode Inspired My Life, I Think

Author Larry Woiwode

Earlier this week I was shocked and saddened to read the New York Times obituary of author Larry Woiwode. We were not close nor can I say he influenced me in any tangible way. But for a brief while, he was my creative writing instructor at the University of Wisconsin in the spring of 1974.

It was a period of great emotional stress in both our lives. After the success of his first book, What I’m Going to Do, I Think, Larry was struggling to complete his master opus, Beyond the Bedroom Wall. I was struggling to find myself returning to graduate school after a traumatic interval of military service during the wind down of American involvement in the Vietnam War. According to the Times, writing this blockbuster nearly cost Mr. Woiwode his health, his wife, and his sanity. But it never showed in his conduct of our class nor in his comments about the quality and style of our writings. He was always incisive and supportive. And I, who had entertained aspirations of becoming a writer before being drafted into the Army, appreciated that.

 

Two things stand out in my memory of that class. One: Larry preached to us time and again that prose had to be written at least as well as poetry. Two: after I quit graduate school mid-semester and left for Boston with the woman who later would become my wife, Larry sent me his comments on my final short story which ended with “Best of luck to you and your chosen one.”

 

Did I need this blessing to justify my decision? I doubt it. Has it made a difference in how I view the world and my success within it? Perhaps. Though we write in different genres with different philosophies, I’ve always strived to maintain the reverence for the printed word that he did. That has shaped my life more than anything.

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Russian Identity and the Fate of the Superfluous Man

A Superfluous Man (Eugen Onegin) idly polishing his fingernails.

Yesterday’s matinee performance at the Metropolitan Opera of Pyotr Tchaikovsky‘s opera, Eugene Onegin, was superb, of course. Tick off the categories: music–gorgeous; set design–evocative; singing–sublime; and acting–engrossing (I actually felt sorry for Onegin despite his well-deserved fate; Igor Golovatenko‘s portrayal was that good!).

But this post is not a review so much as an addendum. One aspect that didn’t receive much attention in the playbill was the notion of the “superfluous man,” a concept central to Alexander Pushkin‘s prose poem of the same name on which Tchaikovsky based his opera. The idea originated as an offshoot of the “Byronic hero,” the antithesis of Napoleon’s “Great Man,” a concept which dominated much of 19th-century literature. Unlike Napoleon, Pushkin’s conceit is of a man born into wealth and privilege who possesses a cynical disregard for social norms and is filled with existential ennui, a thematic staple for Russian authors ranging from Mikhail Lermontov to Ivan Turgenev to Ivan Gonchorov. A product of what one critic called “a by-product of Russian serfdom,” the superfluous man is fated to a life devoid of love or purpose. As a result, his major course of action is to manipulate, degrade or pacify others in order to gain more comfort and security for himself because he has little belief or interest in using his power for the common good.

Aside from the privileged background, do the above character traits remind you of anyone contemporary? Let me know in the Comments section.

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